Charlie Chaplin was a British film comedian, director, producer, writer, and composer whose work in motion pictures spanned from 1914 until 1967. During his early years in film he became established as a worldwide cinematic idol renowned for his tramp persona.[1]
Chaplin was born in London and began acting on stage at the age of nine.[2] In 1913, while on tour in the United States with Fred Karno's comedy group, he accepted a contract to work for Mack Sennett's Keystone film company. During his time at Keystone he began writing and directing some of the films in which he starred. Chaplin signed with the Essanay Film Manufacturing Company in 1915 and the year after with the Mutual Film Corporation. In 1918 Chaplin began producing his own films, initially releasing them through First National and then through United Artists, a corporation he co-founded with Mary Pickford, Douglas Fairbanks, and D. W. Griffith.[3] In the late 1940s and early 1950s Chaplin was accused of being a Communist sympathizer, which he denied.[4] He remained a British subject and, while travelling to England in 1952 to attend the premiere of his film, Limelight, his American re-entry permit was rescinded.[5] Chaplin eventually settled in Switzerland, where he remained for the rest of his life. He made his last two films in England.
During his lifetime Chaplin received three awards from the Academy of Motion Picture Arts and Sciences. At the first Academy Awards ceremony, held on May 16, 1929, he won an honorary award for writing, directing, producing, and acting in The Circus (1928).[6][7] In 1972 he returned to the United States after nearly two decades to receive another honorary award, this time for his overall achievements in cinema. The following year Chaplin's score for Limelight received the Academy Award for Best Music. Although 20 years old by this time, Limelight had not been released in the Los Angeles area until 1972, and had not been eligible for Academy Award consideration before then.[7] Chaplin also received Academy Award nominations in 1940 for Best Actor and Best Original Screenplay for The Great Dictator and in 1947 for his screenplay of Monsieur Verdoux.[7]
As of 2009, five of the films Chaplin starred in have been added to the National Film Registry: The Immigrant (1917), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940). Also selected was Show People (1928), which features Chaplin in an unbilled cameo appearance.[8] For his work in motion pictures, Chaplin has a star on the Hollywood Walk of Fame.[9]
Contents |
In 1965 Chaplin established his official filmography with the publication of his book, My Autobiography. The filmography consisted of 80 motion pictures released since 1914. Further detail was added to it in David Robinson's 1985 biography, Chaplin: His Life and Art, which included Chaplin's last film, A Countess from Hong Kong (1967), as the 81st entry. In 2010, an 82nd film was added with the discovery of A Thief Catcher, an early Keystone film hitherto thought lost.[10]
All of Chaplin's films up to and including The Circus (1928) were silent, although many were re-issued with soundtracks. City Lights (1931) and Modern Times (1936) were essentially silent films, although they were made with soundtracks consisting of music and sound effects, with talking sequences in the latter film. Chaplin's last five films were all talking pictures. Aside from A Countess From Hong Kong, all of Chaplin's films were photographed in 35mm black and white.
Except where otherwise referenced, the release dates, character names, and annotations presented here are derived from Chaplin's autobiography, Robinson's book, and The Films of Charlie Chaplin (1965) by Gerald D. McDonald, Michael Conway, and Mark Ricci.
Chaplin appeared in 36 films for Keystone Studios, all produced by Mack Sennett. Except where noted all films were one reel in length.
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
February 2, 1914 | Making a Living | Slicker | |||||
February 7, 1914 | Kid Auto Races at Venice | Tramp | Released on a split-reel (i.e. two films on one reel) with an education film, Olives and Trees | ||||
February 9, 1914 | Mabel's Strange Predicament | Tramp | |||||
February 19, 1914 | A Thief Catcher | A Policeman | Print discovered in 2010[10] | ||||
February 28, 1914 | Between Showers | Masher | |||||
March 2, 1914 | A Film Johnnie | The Film Johnnie | |||||
March 9, 1914 | Tango Tangles | Tipsy Dancer | |||||
March 16, 1914 | His Favorite Pastime | Drinker | |||||
March 26, 1914 | Cruel, Cruel Love | Lord Helpus | |||||
April 4, 1914 | The Star Boarder | The Star boarder | |||||
April 18, 1914 | Mabel at the Wheel | Villain | Two reels | ||||
April 20, 1914 | Twenty Minutes of Love | Yes | Yes | Pickpocket | |||
April 27, 1914 | Caught in a Cabaret | Yes | Yes | Waiter | Two reels Co-writer: Mabel Normand |
||
May 4, 1914 | Caught in the Rain | Yes | Yes | Tipsy Hotel Guest | |||
May 7, 1914 | A Busy Day | Yes | Yes | Wife | Released on a split-reel with an educational short, The Morning Papers | ||
June 1, 1914 | The Fatal Mallet | Suitor | |||||
June 4, 1914 | Her Friend the Bandit | Yes | Bandit | A lost film.[11] The only known Chaplin lost film. Co-director: Mabel Normand |
|||
June 11, 1914 | The Knockout | Referee | Two reels | ||||
June 13, 1914 | Mabel's Busy Day | Tipsy Nuisance | |||||
June 20, 1914 | Mabel's Married Life | Yes | Yes | Mabel's Husband | Co-writer: Mabel Normand | ||
July 9, 1914 | Laughing Gas | Yes | Yes | Dentist's Assistant | |||
August 1, 1914 | The Property Man | Yes | Yes | The Property Man | Two reels | ||
August 10, 1914 | The Face on the Bar Room Floor | Yes | Yes | Artist | Based on the poem by Hugh Antoine d'Arcy | ||
August 13, 1914 | Recreation | Yes | Yes | Tramp | Released as a split-reel with a travel short, The Yosemite | ||
August 27, 1914 | The Masquerader | Yes | Yes | Film Actor | |||
August 31, 1914 | His New Profession | Yes | Yes | Charlie | |||
September 7, 1914 | The Rounders | Yes | Yes | Reveller | |||
September 14, 1914 | The New Janitor | Yes | Yes | Janitor | |||
October 10, 1914 | Those Love Pangs | Yes | Yes | Masher | |||
October 26, 1914 | Dough and Dynamite | Yes | Yes | Waiter | Two reels Co-writer: Mack Sennett |
||
October 29, 1914 | Gentlemen of Nerve | Yes | Yes | Impecunious Track Enthisiast | |||
November 7, 1914 | His Musical Career | Yes | Yes | Piano Mover | |||
November 9, 1914 | His Trysting Place | Yes | Yes | Husband | Two reels | ||
November 14, 1914 | Tillie's Punctured Romance | Charlie, a City Slicker | Six reels From the play, Tille's Nightmare, by A. Baldwin Sloane and Edgar Smith |
||||
December 5, 1914 | Getting Acquainted | Yes | Yes | Spouse | |||
December 7, 1914 | His Prehistoric Past | Yes | Yes | Weakchin | Two reels |
Chaplin wrote, directed, and starred in 15 films for the Essanay Film Manufacturing Company, all produced by Jesse T. Robbins. Except where noted all films are two-reelers.
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
February 1, 1915 | His New Job | Yes | Yes | Film Extra | |||
February 15, 1915 | A Night Out | Yes | Yes | Reveller | debut of Edna Purviance | ||
April 11, 1915 | The Champion | Yes | Yes | Aspiring Pugilist | |||
November 18, 1915 | In the Park | Yes | Yes | Charlie | One reel | ||
April 1, 1915 | A Jitney Elopement | Yes | Yes | Suitor, the Fake Count | |||
April 11, 1915 | The Tramp | Yes | Yes | The Tramp | |||
April 29, 1915 | By the Sea | Yes | Yes | Stroller | One reel | ||
June 21, 1915 | Work | Yes | Yes | Decorator's Apprentice | |||
July 12, 1915 | A Woman | Yes | Yes | Charlie / "The Woman" | |||
August 9, 1915 | The Bank | Yes | Yes | Janitor | |||
October 4, 1915 | Shanghaied | Yes | Yes | Charlie | |||
November 20, 1915 | A Night in the Show | Yes | Yes | Mr. Pest and Mr. Rowdy | |||
December 18, 1915 | Burlesque on 'Carmen' | Yes | Yes | Darn Hosiery | Re-issued on April 22, 1916, as an unauthorized four-reeler with new footage shot and assembled by Leo White | ||
May 27, 1916 | Police | Yes | Yes | Ex-Convict | |||
August 11, 1918 | Triple Trouble | Yes | Yes | Janitor | Compilation assembled by Leo White with scenes from Police and an unfinished short, Life, along with new material shot by White. Chaplin includes this production in the filmography of his autobiography. |
Chaplin wrote, produced, directed, and starred in 12 films for the Mutual Film Corporation, which formed Lone Star Studios solely for Chaplin's films. All of the Mutual releases are two reels in length
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
May 15, 1916 | The Floorwalker | Yes | Yes | Yes | Impecunious Customer | Co-writer: Vincent Bryan | |
June 12, 1916 | The Fireman | Yes | Yes | Yes | Fireman | Co-writer: Vincent Bryan | |
July 10, 1916 | The Vagabond | Yes | Yes | Yes | Street Musician | Co-writer: Vincent Bryan | |
August 7, 1916 | One A.M. | Yes | Yes | Yes | Drunk | ||
September 4, 1916 | The Count | Yes | Yes | Yes | Tailor's Apprentice | ||
October 2, 1916 | The Pawnshop | Yes | Yes | Yes | Pawnbroker's Assistant | ||
November 13, 1916 | Behind the Screen | Yes | Yes | Yes | Property Man's Assistant | ||
December 4, 1916 | The Rink | Yes | Yes | Yes | Waiter and Skating Enthusiast | ||
January 22, 1917 | Easy Street | Yes | Yes | Yes | Vagabond recruited to Police Force | ||
April 16, 1917 | The Cure | Yes | Yes | Yes | Alcoholic Gentleman at Spa | ||
June 17, 1917 | The Immigrant | Yes | Yes | Yes | Immigrant | Added to the National Film Registry in 1998[12] | |
October 22, 1917 | The Adventurer | Yes | Yes | Yes | Escaped Convict |
Chaplin wrote, produced, directed, and starred in nine films for his own production company between 1918 and 1923. These films were distributed by First National.
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
April 14, 1918 | A Dog's Life | Yes | Yes | Yes | Yes | Tramp | Three reels Score composed for compilation, The Chaplin Revue |
September 29, 1918 | The Bond | Yes | Yes | Yes | Himself | Half-reel. Co stars brother Sydney Chaplin | |
October 20, 1918 | Shoulder Arms | Yes | Yes | Yes | Yes | Recruit | Three reels Score composed for compilation, The Chaplin Revue |
May 15, 1919 | Sunnyside | Yes | Yes | Yes | Farm Handyman | Three reels | |
December 15, 1919 | A Day's Pleasure | Yes | Yes | Yes | Father | Two reels | |
February 6, 1921 | The Kid | Yes | Yes | Yes | Tramp | Six reels | |
September 25, 1921 | The Idle Class | Yes | Yes | Yes | Tramp / Husband | Two reels | |
April 2, 1922 | Pay Day | Yes | Yes | Yes | Labourer | Two reels | |
February 26, 1923 | The Pilgrim | Yes | Yes | Yes | Yes | Escaped Convict | Four reels Score composed for compilation, The Chaplin Revue |
Chaplin began releasing his films through United Artists in 1923. From this point on all of his films were of feature length. He produced, directed, and wrote these eight films and starred in all but the first. Beginning with City Lights Chaplin wrote the musical scores for his films as well.
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
September 26, 1923 | A Woman of Paris | Yes | Yes | Yes | Porter | Chaplin has a small cameo role | |
June 26, 1925 | The Gold Rush | Yes | Yes | Yes | Yes | Lone Prospector | Score composed for 1942 re-issue Added to the National Film Registry in 1992[13] |
January 6, 1928 | The Circus | Yes | Yes | Yes | Yes | Tramp | Score composed for 1970 re-issue |
February 6, 1931 | City Lights | Yes | Yes | Yes | Yes | Tramp | Added to the National Film Registry in 1991[14] |
February 5, 1936 | Modern Times | Yes | Yes | Yes | Yes | A Worker | Added to the National Film Registry in 1989[15] |
October 15, 1940 | The Great Dictator | Yes | Yes | Yes | Yes | Adenoid Hynkel / The Barber | Added to the National Film Registry in 1997[16] Nominated – Academy Award for Best Actor[7] Nominated – Academy Award for Best Writing (Original Screenplay).[7] |
April 11, 1947 | Monsieur Verdoux | Yes | Yes | Yes | Yes | Monsieur Henri Verdoux | Based on an idea by Orson Welles[17] Nominated – Academy Award for Best Writing (Original Screenplay)[7] |
October 16, 1952 | Limelight | Yes | Yes | Yes | Yes | Calvero | Pulled from American screens shortly after its release when Chaplin became a political exile from the United States[18] Academy Award for Best Music (Scoring) (Awarded in 1973 when the film became first eligible for Academy Award consideration via Los Angeles screenings.)[7] |
In 1952, while travelling to England to attend the première of his film, Limelight, Chaplin learned that his American re-entry permit was rescinded. As a result his last two films were made in England.
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
September 12, 1957 | A King in New York | Yes | Yes | Yes | Yes | King Shahdov | An Attica-Archway production Not released in the United States until 1967 |
January 5, 1967 | A Countess from Hong Kong | Yes | Yes | Yes | An Old Steward | A Universal Production in Panavision and Technicolor Produced by Jerome Epstein Chaplin has a small cameo role |
In addition to his official 82 films, Chaplin has several unfinished works in his body of work. He made several cameo appearances as himself and was featured in several compilation films.
Year(s) | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
1915–1916 | Life | Yes | Yes | Yes | Uncompleted, although parts were used in The Essanay-Chaplin Revue (see below) | ||
1918 | How to Make Movies | Yes | Yes | Yes | Himself | Never assembled, although parts were used in The Chaplin Revue (see below) Reconstructed in 1981 by Kevin Brownlow and David Gill[19] |
|
(untitled film) | Yes | Yes | Yes | Himself | A charity film co-starring Harry Lauder | ||
1919 | The Professor | Yes | Yes | Yes | Professor Bosco | Slated as a two-reeler, but never issued | |
c.1922 | Nice and Friendly | Yes | Yes | Yes | Villain | Improvised sketch | |
1926 | A Woman of the Sea | Yes | Completed but never released Chaplin had the negative burned on June 24, 1933 |
||||
1933 | All at Sea | Himself | An 11-minute home movie shot by Alistair Cooke onboard Chaplin's boat, Panacea, and featuring Cooke with Chaplin and Paulette Goddard[20] | ||||
1966–1975 | The Freak | Yes | A production planned for Chaplin's daughter, Victoria |
Essanay produced three compilations without Chaplin's authority (to which he took legal action). Chaplin produced his own compilation in 1959 and was involved in the making of another in 1975.
Release date | Title | Credited as | Notes | ||||
---|---|---|---|---|---|---|---|
Composer | Producer | Writer | Director | Role | |||
March 31, 1915 | Introducing Charlie Chaplin | Promo film intended for exhibitors to show as a prologue to Chaplin films | |||||
September 23, 1916 | The Essanay-Chaplin Revue | Yes | Yes | Ex-convict | Compiled by Leo White from portions of Police and Life with new material directed by White Unauthorized by Chaplin. |
||
1916 | Zepped | A propaganda piece of which a seven-minute reel was discovered in 2009[21] | |||||
May 1918 | Chase Me Charlie | Yes | Yes | A seven-reel montage of Essanay films, edited by Langford Reed. Released in England. Unauthorized by Chaplin | |||
September 25, 1959 | The Chaplin Revue | Yes | Yes | Yes | Yes | Tramp / Recruit / Escaped Convict / Himself | Compiled from A Dog's Life, Shoulder Arms, The Pilgrim, and How to Make Movies |
1975 | The Gentleman Tramp | A compilation documentary featuring new scenes of Chaplin at his home in Switzerland |
In addition to his own productions of A Woman of Paris (1923) and A Countess From Hong Kong (1967), Chaplin made cameo appearances as himself in the following films:
Year | Title | Notes |
---|---|---|
1915 | His Regeneration | |
1921 | The Nut | Chaplin's footage does not appear in surviving prints, although one sequence that does survive features an unknown actor in Chaplin's tramp persona[22] |
1923 | Souls for Sale | Shown on the set of A Woman of Paris |
Hollywood | Lost film[23] | |
1928 | Show People | Added to the National Film Registry in 2003[24] |
Footnotes
Bibliography
|