Help! | ||||
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Studio album by The Beatles | ||||
Released | 6 August 1965 | |||
Recorded | 15–19 February, 13 April, 10 May & 14–17 June 1965, EMI Studios, London |
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Genre | Rock, Pop rock, Folk rock | |||
Length | 34:20 | |||
Language | English | |||
Label | Parlophone | |||
Producer | George Martin | |||
Professional reviews | ||||
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The Beatles chronology | ||||
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Help! is the fifth British and ninth American album by The Beatles, and the soundtrack from their film of the same name. Produced by George Martin for EMI's Parlophone Records, it contains fourteen songs in its original British form, of which seven appeared in the film Help!. These songs took up the first side of the vinyl album and included the singles "Help!" and "Ticket to Ride". The second side contained seven other releases including the most covered song ever written, "Yesterday".
The American release was a true soundtrack album, mixing the first seven songs with orchestral material from the film. Of the other seven songs, two were released on the US version of the next Beatles album, Rubber Soul, two were back-to-back on the next US single and then appeared on Yesterday and Today and three had already been on Beatles VI.
In 2003, the album was ranked number 332 on Rolling Stone magazine's list of the 500 greatest albums of all time.[1]
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The album shows the Beatles' music maturing, with an eclecticism that reached beyond the bounds of "pop" or "beat" music. The album features Paul McCartney's "Yesterday", arranged for guitar and string quartet and recorded without the other group members. John Lennon's "You've Got to Hide Your Love Away" indicates the influence of Bob Dylan and includes classical flutes. While several compositions on 1964's Beatles for Sale, as well as "I'll Cry Instead" from A Hard Day's Night, had leaned in a country and western direction, McCartney's "I've Just Seen a Face" was almost pure country, taken at such a fast tempo that it might have been bluegrass if not for the absence of banjo and fiddle.[2]
"Ticket to Ride", also released as a single, was felt by Lennon to be "heavy" in its sound compared to the group's previous output[3] and daring in its reference to a boy and girl living together. McCartney called the arrangement "quite radical".
George Harrison contributed "I Need You" and "You Like Me Too Much", his first compositions to be included on a Beatles album since "Don't Bother Me", from 1963's With the Beatles.
The record contained two cover versions and a few tracks more closely related to the group's previous pop output, yet still marked a decisive step forward towards forthcoming achievements. The record sleeve-note shows Lennon and McCartney made more extensive and prominent use of keyboards, previously played unobtrusively by Martin, which would alter the group's future sound and the way they, particularly McCartney, went about the recording process. Four-track overdubbing technology encouraged this. Lennon, for his part, made much greater use of acoustic guitar, forsaking his famous Rickenbacker. All these developments can be traced on the previous Beatles for Sale, but were less obvious as this had been recorded more hastily, lacked chart hits and contained many old favourite cover versions.
The original LP's format of featuring songs from the soundtrack on side one and non-soundtrack songs on side two follows the format of the album A Hard Day's Night.
In later years, Lennon said that the title track of the album was a sincere cry for help, as the pressures of the Beatles' fame and his own unhappiness (what he later called his "fat Elvis" period) began to build, and that he regretted turning it from a downbeat song in the style of Roy Orbison's "Only the Lonely" to an upbeat pop song as a result of commercial pressures.
A few songs that were intended for the film were not used because of the Beatles' suggestions. Lennon and McCartney wrote "If You've Got Trouble" for Ringo Starr to sing, but the song was rejected and Starr sang "Act Naturally" instead.[4] "That Means a Lot" was written for the film, but the Beatles were not satisfied with their performance of the song and they gave it to P.J. Proby, who released it as a single.[5] Lennon said "Yes It Is" was "me trying a rewrite of 'This Boy', but it didn't work";[6] it was released as the B-side of "Ticket to Ride" and was also on Beatles VI. "You Like Me Too Much" and "Tell Me What You See" were rejected for use in the film by its director, Richard Lester, though they did appear on the album (and also on Beatles VI).
Much later, in June 1965, the song "Wait" was recorded for the album. However, "Wait" (with some newly added overdubs) ended up on Rubber Soul when another song was needed to complete that album.
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The album cover features the group with their arms positioned to spell out a word in flag semaphore. According to cover photographer Robert Freeman, "I had the idea of semaphore spelling out the letters HELP. But when we came to do the shot the arrangement of the arms with those letters didn't look good. So we decided to improvise and ended up with the best graphic positioning of the arms."[7]
On the UK Parlophone release, the letters formed by the Beatles appear to be 'NUJV', whilst the slightly re-arranged US release on Capitol Records appeared to feature the letters 'NVUJ'.
There have been three Compact Disc releases of Help!. The first was on 30 April 1987, using the 14-song UK track lineup. Having been available only as an import in the US in the past, the original 14-track UK version replaced the original US version with its release on LP and cassette as well on 21 July 1987. As with the CD release of the 1965 Rubber Soul album, the Help! CD featured a contemporary stereo digital remix of the album prepared by Martin in 1986. Martin had expressed concern to EMI over the original 1965 stereo remix, claiming it sounded "very woolly, and not at all what I thought should be a good issue". Martin went back to the original four-tracks tapes and remixed them for stereo.[8] One of the most notable changes is the echo added to "Dizzy Miss Lizzy", something that was not evident on the original mix of the LP. A few Canadian-origin CD editions of Rubber Soul and Help! use the original mixes of the albums, presumably in error.
The 2009 remastered stereo CD was released on 9 September. It was "created from the original stereo digital master tapes from Martin's CD mixes made in 1986"[9]. The disc in the mono box set contains the 1965 mono mix as well as the 1965 stereo mix.
All songs written and composed by Lennon/McCartney, except where noted.
Side one | |||||||||
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No. | Title | Lead Vocals | Length | ||||||
1. | "Help!" | Lennon | 2:18 | ||||||
2. | "The Night Before" | McCartney | 2:33 | ||||||
3. | "You've Got to Hide Your Love Away" | Lennon | 2:08 | ||||||
4. | "I Need You" (George Harrison) | Harrison | 2:28 | ||||||
5. | "Another Girl" | McCartney | 2:05 | ||||||
6. | "You're Going to Lose That Girl" | Lennon | 2:17 | ||||||
7. | "Ticket to Ride" | Lennon | 3:10 |
Side two | |||||||||
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No. | Title | Lead Vocals | Length | ||||||
1. | "Act Naturally" (Johnny Russell, Voni Morrison) | Starr | 2:29 | ||||||
2. | "It's Only Love" | Lennon | 1:54 | ||||||
3. | "You Like Me Too Much" (Harrison) | Harrison | 2:35 | ||||||
4. | "Tell Me What You See" | McCartney | 2:36 | ||||||
5. | "I've Just Seen a Face" | McCartney | 2:04 | ||||||
6. | "Yesterday" | McCartney | 2:03 | ||||||
7. | "Dizzy Miss Lizzy" (Larry Williams) | Lennon | 2:53 |
Help! (US version) | ||||
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Soundtrack by The Beatles and Ken Thorne | ||||
Released | 13 August 1965[11] | |||
Recorded | 15–19 February, 13 April, 10 May & 14–17 June 1965, EMI Studios, London |
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Genre | Rock, pop | |||
Length | 28:43 | |||
Language | English | |||
Label | Capitol | |||
Producer | George Martin, Dave Dexter, Jr.[12] | |||
Professional reviews | ||||
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The Beatles North American chronology | ||||
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Singles from Help! | ||||
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The US version, the band's eighth Capitol Records release and tenth overall, includes the songs in the film plus selections from the orchestral score composed by Ken Thorne and performed by the George Martin Orchestra, which contains one of the first uses of the Indian sitar on a pop album. "Ticket to Ride" is the only song on the US release in duophonic stereo (also known as "fake stereo") reprocessed from the mono mix. This album is available on CD as part of The Capitol Albums, Volume 2 box set. This set also includes the mono version of the US release, which is purely a stereo-to-mono fold-down mix, including the "fake stereo" duophonic "Ticket To Ride" folded down to mono, despite Capitol already having the mono mixes for the single releases of both that song and "Help!".
All songs written by Lennon/McCartney, except where noted.
According to Mark Lewisohn[13][14] and Alan W. Pollack.[15]
The songs included in the soundtrack of the film Help! were mixed into 5.1 surround for the film’s 2007 DVD release, that is, tracks 1—7, accounting for half of the original album's songs.
Country | Date | Label | Format | Catalog |
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United Kingdom | 6 August 1965 | Parlophone | mono LP | PMC 1255 |
stereo LP | PCS 3071 | |||
United States | 13 August 1965 | Capitol | mono LP | MAS 2386 |
stereo LP | SMAS 2386 | |||
Worldwide reissue | 15 April 1987 | Apple, Parlophone, EMI | Compact Disc | CDP 7 46439 2 |
United States | 21 July 1987 | Capitol | stereo LP | CLJ 46439 |
Japan | 11 March 1998 | Toshiba-EMI | CD | TOCP 51115 |
Japan | 21 January 2004 | Toshiba-EMI | Remastered LP | TOJP 60135 |
Worldwide reissue | 11 April 2006 | Apple/Capitol/EMI | CD reissue of US LP | CDP 0946 3 57500 2 7 |
Worldwide reissue | 9 September 2009 | Apple/Capitol/EMI | CD stereo remaster | CDP 0946 3 82415 2 2 |
Preceded by Out of Our Heads by The Rolling Stones |
Billboard 200 number-one album 11 September – 12 November 1965 |
Succeeded by The Sound of Music (soundtrack) by Richard Rodgers and Oscar Hammerstein II |
Preceded by The Sound of Music (soundtrack) by Richard Rodgers and Oscar Hammerstein II |
Australian Kent Music Report number-one album 18 September – 19 November 1965 29 January – 4 February 1966 12–18 February 1966 |
Succeeded by Rubber Soul by The Beatles |
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