Me Against the World | ||||||||||
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Studio album by 2Pac | ||||||||||
Released | March 14, 1995 | |||||||||
Recorded | November 1994 | |||||||||
Genre | West Coast hip hop, conscious hip hop, political hip hop | |||||||||
Length | 65:57 | |||||||||
Label | Amaru/Jive/Interscope/Atlantic/Warner Bros. Records | |||||||||
Producer | Easy Mo Bee, Sam Bostic, D-Flizno Production Squad, Brian G, Shock G, Johnny "J", Mike Mosley, Tony Pizarro, Soulshock & Karlin, Le-morrious "Funky Drummer" Tyler, Moe Z.M.D. | |||||||||
2Pac chronology | ||||||||||
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Me Against the World is the third studio album by American hip hop artist 2Pac, released March 14, 1995 on Jive Records through Interscope Records.
The album was recorded in a matter of weeks before the artist was to go to prison on sexual assault charges stemming from a 1993 case in which a woman accused him and two others in his entourage of sexual abuse. It was this impending prison sentence which many believe might have contributed to 2Pac's artistic re-emergence on record, as his material is believed to have become markedly more "confessional," "reflective," and "soul-baring."[1]
Me Against the World, released while 2Pac was imprisoned, made an immediate impact on the charts, soaring to the number one spot upon its release, and making 2Pac the first artist to have an album debut at the top of the Billboard 200 while serving time in prison. The album was also one of 2Pac's most well received by critics and fans, with many calling it the best effort of his career, and one of the greatest hip hop albums of all-time.
Contents |
In 1993, Tupac Shakur was already a success in the hip hop industry, with two gold-certified singles that had managed to reach the top twenty on the pop charts ("I Get Around", "Keep Ya Head Up"), and a gold-selling sophomore album that would peak just inside the top twenty-five of the Billboard 200 (Strictly 4 My N.I.G.G.A.Z.).[2][3] However, the young artist did not have much time to celebrate his accomplishments due to his constant encounters with the law. In the summer of 1993, Shakur was brought up on charges for assaulting director Allen Hughes, whom the artist was shooting the film Menace II Society with; he was sentenced to fifteen days in jail in early 1994. Later, in October 1993, Shakur was charged with shooting two off-duty police officers in Atlanta, though the charges would eventually be dismissed. However, the most notable of Shakur's numerous run-ins with the law came the following month, when he and two members of his entourage were charged with sexually assaulting a female fan[4] During this time Shakur was in the midst of recording his third solo effort. In light of the way Shakur felt his image was being portrayed by the general press and public, he considered titling the album Crucified; eventually, the album was changed to its current title.[5] According to Shakur, the album was made to show the hip hop audience his respect for the art form. Lyrically, Shakur intentionally tried to make the album more personal and reflective than his previous efforts.[6]
The musical production on the album was considered by many to be the best on any of Shakur's albums up to that point in his career. Steve 'Flash' Juon at RapReviews gave the production on the album a perfect 10 of 10 rating, giving particular note to tracks like "So Many Tears" and "Temptations."[7] Jon Parales remarked that the production had a "fatalistic calm, in a commercial mold." He compared the album's production and synthesized hooks to that of Dr. Dre's G-funk style, stating that "while 2Pac doesn't sing, other voices do, providing smooth melody."[8] James Bernard at Entertainment Weekly wasn't quite as enthusiastic about the album's production, remarking that Shakur's "vocals are buried deep in the mix. That's a shame—if they were more in-your-face, the lackluster beats might be less noticeable."[9]
It was like a blues record. It was down-home. It was all my fears, all the things I just couldn't sleep about. Everybody thought I was living so well and doing so good that I wanted to explain it. And it took a whole album to get it all out. I get to tell my innermost, darkest secrets I tell my own personal problems.[6]—Tupac Shakur
Some of the album's main themes concern the loss of innocence, paranoia, and occasional self-loathing.[1] Much attention is paid to subjects such as the pain of urban survival.[7] Not all of the music deals with such extremely bleak subject matter, however. Some tracks, such as "Old School," lean more to the nostalgic, though somewhat bittersweet side in Shakur's remembrance of his youth and the early days of hip hop music.[1][7] The album is also well-known for the more sensitive tracks "Dear Mama" and "Can U Get Away," which are both directed towards and reveal Shakur's devotion to the women he loves. On "Mama," Shakur pays tribute to and expresses his undying affection for his own mother, continuously reminding her that though his actions might sometimes seem to state otherwise, "you are appreciated."[7][10] On the track "Can U Get Away," Shakur attempts to woo the woman who's managed to gain his affections away from an abusive relationship. Three of the most eerie and revered tracks on the album are "Death Around the Corner", "If I Die 2Nite", and "So Many Tears," the songs which many have in hindsight called prophetic due to their themes dealing with what would become Shakur's own tragic fate; premature death.[1]
Throughout the entirety of the album Shakur employs various poetical deliveries, ranging from alliteration ("If I Die 2Nite"), to the use of paired couplets ("Lord Knows").[7]
"Dear Mama" was released as the album's first single in February 1995, along with the track "Old School" as the B-side.[11] "Dear Mama" would be the album's most successful single, topping the Hot Rap Singles chart, and peaking at the ninth spot on the Billboard Hot 100.[12] The single was certified platinum in July 1995.[2]
"So Many Tears" was the second single from the album, released four months after the first in June.[13] The single would reach the number six spot on the Hot Rap Singles chart, and the forty-fourth on the Billboard Hot 100.[12]
"Temptations," released in August, would be the third and final single from the album.[14] The single would be the least successful of the three released, but was still able to manage well on the charts, reaching number sixty-eight on the Billboard Hot 100, thirty-five on the Hot R&B/Hip-Hop Singles & Tracks, and 13 on the Hot Rap Singles charts.[12]
The album's recording sessions took place at ten different studios, while it was mastered at Bernie Grundman Mastering. Although the album was originally released on Interscope, Amaru Entertainment, the label owned by 2Pac's mother Afeni Shakur, has since gained its rights.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | (C+) [16] |
New York Times | (favorable) [17] |
Rap Central | ![]() ![]() ![]() ![]() ![]() |
RapReviews | (10/10) [19] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Source | ![]() ![]() ![]() ![]() ![]() |
The Source | ![]() ![]() ![]() ![]() ![]() |
Vibe | (Favorable) [23] |
The album was very successful commercially, reaching the number one spot on the Billboard 200 chart and being certified double platinum.[24][25] Since it was released while he was in prison, Shakur became the first (and remains the only) artist to ever have a number one album while serving a prison sentence. The album is also notable for beating out legendary rock artist Bruce Springsteen's Greatest Hits album for the number one spot, a feat Shakur took much pride in while imprisoned.[6]
The album received a five-star rating from Allmusic, with reviewer Steve Huey calling it "[Shakur's] most thematically consistent, least self-contradicting work," and stating "it may not be his definitive album, but it just might be his best."[1] However, Steve 'Flash' Juon of RapReview seemed to feel differently, remarking that the album "is not only the quintessential 2Pac album, but one of the most important rap albums released in the 1990's as a whole." Juon awarded the work a perfect ten out of ten rating.[7] Cheo H. Coker at Rolling Stone magazine also called the album Shakur's best, giving it three-and-a-half out of five stars. Robert Christgau spoke out against the album, saying "the subtext of his persecution complex is his self-regard". Of the overall effect of the album, Coker said it was "by and large a work of pain, anger and burning desperation — [it] is the first time 2Pac has taken the conflicting forces tugging at his psyche head-on."[26] In The Source's original review of the album, it was stated that though 2Pac's talents had finally become whole, the album's tracks would, "for a change, overshadow him." However in the re-review years later, the remark was acknowledged as an overstatement, with those at the magazine recognizing in hindsight that "it would take quite a backdrop to exceed his tales of run-ins with the law, awarding the album the coveted 5 mic rating.[27] Jon Pareles of The New York Times gave the album a favorable review, calling 2Pac the "St. Augustine of gangster rap" due to his ambivalence towards the behavior and nature of the gangster lifestyle.[8]
The album was later nominated for Best Rap Album at the 1996 Grammy Awards, which was a new category, but lost to Naughty By Nature's Poverty's Paradise.
# | Title | Time | Producer(s) | Performer(s) | Sample(s)[28] |
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1 | "Intro" | 1:40 | Tony Pizarro | Sarah Diamond, Debby Hambrick, Jay Jensen, Jill Jones, Dan O'Leary | |
2 | "If I Die 2Nite" | 4:01 | Easy Mo Bee | 2Pac |
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3 | "Me Against the World" | 4:40 | Soulshock & Karlin | 2Pac, Dramacydal |
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4 | "So Many Tears" | 3:59 | Shock G | 2Pac |
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5 | "Temptations" | 5:00 | Easy Mo Bee | 2Pac |
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6 | "Young Niggaz" | 4:53 | Le-morrious "Funky Drummer" Tyler, Moe Z.M.D. | 2Pac |
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7 | "Heavy in the Game" | 4:23 | Sam Bostic, Mike Mosley | 2Pac, Lady Levi, Richie Rich |
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8 | "Lord Knows" | 4:31 | Brian G | 2Pac |
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9 | "Dear Mama" | 4:40 | Tony Pizarro | 2Pac |
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10 | "It Ain't Easy" | 4:53 | Tony Pizarro | 2Pac | |
11 | "Can U Get Away" | 5:45 | Mike Mosley | 2Pac |
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12 | "Old School" | 4:40 | Soulshock | 2Pac |
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13 | "Fuck the World" | 4:13 | Shock G | 2Pac | |
14 | "Death Around the Corner" | 4:07 | Johnny "J" | 2Pac |
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15 | "Outlaw" | 4:32 | Moe Z.M.D. | 2Pac, Dramacydal |
The information regarding accolades attributed to Me Against the World is taken from AcclaimedMusic.net.[29]
Publication | Country | Accolade | Year | Rank |
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Blender | USA | 500 CDs You Must Own Before You Die | 2003 | * |
Ego Trip | Hip Hop's 25 Greatest Albums by Year 1980–98 | 1999 | 7 | |
New Nation | UK | Top 100 Albums by Black Artists | 49 | |
Nude as the News | USA | The 100 Most Compelling Albums of the 90s | 1999 | 47 |
Pause & Play | Albums Inducted into a Time Capsule, One Album per Week | * | ||
Robert Dimery | 1001 Albums You Must Hear Before You Die | 2005 | * | |
The Source | The 100 Best Rap Albums of All Time | 1998 | * | |
About.com | The Greatest Hip-Hop Albums of All Time[30] | 12 |
In 1996, Me Against the World was nominated for Best Rap Album at the 38th Grammy Awards. The album's single "Dear Mama" was also nominated for Best Rap Solo Performance.[31] In 2008, the National Association of Recording Merchandisers, in conjunction with the Rock and Roll Hall of Fame, recognized Me Against the World as one of the "most influential and popular albums," ranking it #170 on a list of 200 other albums by artists of various musical genres.[32]
Chart (1996) | Peak position |
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Australian Albums Chart[33] | 40 |
Swedish Albums Chart[34] | 40 |
U.S. Billboard 200[24] | 1 |
U.S. Top R&B/Hip-Hop Albums[12] | 1 |
Year | Single | Peak positions[12] | ||||||||||
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U.S. Billboard Hot 100 | U.S. Hot Dance Music/Maxi-Singles Sales | U.S. Hot R&B/Hip-Hop Singles & Tracks | U.S. Hot Rap Singles | U.S. Rhythmic Top 40 | ||||||||
1995 | "Dear Mama" | 9 | 1 | 3 | 1 | 16 | ||||||
"So Many Tears" | 44 | 41 | 21 | 6 | — | |||||||
"Temptations" | 68 | — | 35 | 13 | — |
Information taken from Allmusic and CD booklet.[31][35]
Me Against the World at Allmusic
Preceded by Greatest Hits by Bruce Springsteen |
Billboard 200 number-one album April 1–28, 1995 |
Succeeded by The Lion King (soundtrack) by Various artists |
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