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Kannada (ಕನ್ನಡ) |
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Kannadiga (Kannada: ಕನ್ನಡಿಗ |masculine|), or Kannadati (Kannada: ಕನ್ನಡತಿ |feminine|) is a reference to the people who natively speak the Kannada language. Kannadigas are mainly located in the state of Karnataka in India and in the neighbouring states of Andhra Pradesh, Tamil Nadu, Kerala, Goa and Maharashtra. The plural form 'Kannadigas', used frequently, is an English plural.
Kannadigas are people who speak Kannada, its variants or its various dialects as their mother tongue. The variations of dialects are several. Janapadas of Soliga, Badaga and other tribes of Karnataka having rich contribution to Kannada literature have their own style. Most of the younger Kannadigas have started listening to a lot of heavy music such as Metallica and Megadeth. Two Kannadigas even managed to attend a legendary event known as "The Big 4" that happened in Poland.
Moving on, various districts of Kannada have mixed variations of dialects like Dharwad Kannada, Bangalore Kannada, Sankethi, Naddvara Kannada, Havigannada, Are Bhashe, Mysooru Kannada, Kundagannada etc. Many Kannadigas have emigrated to countries like United States of America, United Kingdom, Canada, Australia and United Arab Emirates.
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Kanadigas have close association to Tamils. Though both are dravidian languages,Kannada language did not originate from Tamil. The justification for the objection are as follows:- Though written literature appeared later, there are many other sources and proofs to prove Kannada's antiquity (Research by Hampana):-
1. 450 B.C. paaNini's "aShTaadhaayi" has a reference to a "karnaadhaka" gOtra
2. 250 B.C. King Ashoka's shaashana has a reference to name called "isila" which is said to be Kannada origin
3. 80 B.C. In the Prakrit shaashana of Madhavpur-Vadagavi, the word "NaaTapati" is a word of Kannada origin
4. 150 A.D. Ancient Greek historian Ptolemy's book "Pappyrus" Kannada towns "kalligere", "baadaami", "mudugal" find mention.
5. 150 A.D. In the ancient Greek comedy "Aksirinkas Pappyri" there has been an attempt to understand Kannada words
6. 150 A.D.In a Prakrit shaashana, there are Kannada words like "maTTapaTTi" (maLavaLLi)
7. There is an abundance of Kannada in many Prakrit shaashanas:
a. Words "nagipa", "saMkapa" found in the 100 B.C.Prakrit shaashana have a Kannada form
b. Usage of words like "manaaLi" originates in the union of two Kannada words "mun" + "paLLi"
c. Kannada towns have been named in constructs like "saMbalIva oora vaasinO"
d. "mooDaaNa" a word used in different languages to represent the Eastern direction is of Kannada origin
8. 150 A.D. In the Prakrit book "gaathaa saptashati" written by Haala Raja, Kannada words like "tIr", "tuppa", "peTTu", "poTTu" have been used.
9. 250 A.D. On the Pallava Prakrit shaashana of Hire Hadagali's Shivaskandavarman, Kannada word "kOTe" transforms into "koTTa"
10. 250 A.D. In the Tamil mega tome "shilappadikaaraM" written by Ilango Adi, there is reference to Kannada in the form of the ! word "karunaaDagar"
11. 350 A.D. In the Chandravalli Prakrit shaasana, words of Kannada origin like "punaaTa", "puNaDa" have been used.
12. 250 A.D. In one more Prakrit shaasana found in Malavalli,
13. Kannada towns like "vEgooraM" (bEgooru), "kundamuchchaMDi" find reference.
In the recent 2003 Harvard publication "Early Tamil Epigraphy" authored by Iravatam Mahadev has important substance in the current discussion. This publication provides a new direction and paradigms to the question of Kannada's antiquity. It extends the antiquity of Kannada to older times than presently known. It also presents a new thought that Tamil came under the Kannada influence in the years of B.C. timeframe. Some Tamil shaasana's beginning in the 3rd century B.C. shows a marked Kannada influence.
In the 1-3 B.C. Tamil shaashanas, words of Kannada influence "nalliyooraa", kavuDi", "posil" have been introduced. The use of the vowel "a" as an adjective is not prevalent in Tamil, its usage is available in Kannada. Kannada words like "gouDi-gavuDi" transform into Tamil's "kavuDi" for lack of the usage of "Ghosha svana" in Tamil. That is the reason Kannada's "gavuDi" becomes "kavuDi" in Tamil. "posil" (Kannada "hosilu") is another Kannada word that got added into Tamil. Colloquial Tamil uses this word as "vaayil".
In the 1 A.D. Tamil shaasana, there is a personal reference to "ayjayya" which is of Kannada origin. In another 3 A.D. Tamil shaasana, there is usage of the words "oppanappa vIran". The influence of Kannada's usage of "appa" to add respect to a person's name is evident here. "taayviru" is another word of Kannada influence in another 4 A.D. Tamil shaasana. We can keep growing this list citing many such examples of Kannada's influence on Tamil during the B.C.-A.D. times.
Kannada's influence on ancient Tamil as depicted by the language of these shaasana's is of historical importance. There are no written data available in Kannada from the times when these Tamil records show a marked Kannada influence. Moreover, there have been no findings/ discussions of this face of Tamil till now, that of a deep Kannada influence on it.
In the ambit of the current discussion in the country about "Classical Languages", this influence of the influence of Kannada on ancient Tamil is of significance. In the Central Government's announcement of "Tamil Language literature is of antiquity. It has grown independent of the influence of other languages' literature. This is the reason that Tamil is being accorded the 'Classical language' tag", these findings have shown the weak foundation on which the announcement was made. It has also shown the similar antiqueness of Kannada and the influence it had on Tamil to make it what it is now. These Tamil shaasanas have extended the horizons of understanding of ancient Karnataka's language, and socio-religious culture.
The next natural question is that of the delay of about 500 years between the difference in the appearance of the Kannada v/s the Tamil written records. These originate in the political and administrative spheres of those times: the regions of the current Karnataka and Andhra were then still under the influence of the Mauryas and Shaatavaahanas, whereas, Tamil regions enjoyed independence of usage in administration and writing. The Cheras, Cholas, Pantiyas, Satiya Putra Adiyamanas adopted Tamil. The Jainas, Buddhist monks adopted the Brahmi font to the Tamil sound/ language.
Karanataka and Andhra were under the Sanskrit deference. Many Prakrit languages were in circulation since 6 B.C. in the Northern parts of India: The Jains, and Buddhist monks learnt these languages and wrote and taught in these Prakrit/ Pali languages. In the south, they first a! dopted, used and taught in Tamil since there was patronage for that language in the Tamil regions. There was no opputunity for Kannada to gain such currency under the influence of the Northern rulers. Such political reasons delayed the emergence of Kannada into the literal mainstream for about 500 years. Kannada finally started its independent emergence under the rule of the Kadambas and the Gangas. With such political and administrative patronage, Kannada literature really blossomed under the Badami Chalukyas.
The summary of this discussion is enunciated in the following points:
1. Kannada came into its independent existence from the proto-Dravidian language in the 6 B.C. timeframe.
2. In about 3-4 B.C. Kannada was already in use by the common people.
3. In 3 B.C. Kannada influenced the Indo-Aryan languages like Prakrit.
4. In the 2-1 B.C. timeframe, Kannada also influenced the Dravidian language Tamil.
5. There are socio-political reasons for the 500 year delay of the emergence of Kannada in shaasanas when compared to Tamil shaasanas. That does not mean Kannada at that time did not have its own language, script and literature.
6. The reasons for and against the emergence of Kannada were political: The Banavasi Kadambas were the first to use Kannada as the second administrative language. Badami Chalukyas were the first to use Kannada as a primary administrative language granting it patronage of being the official language and the language of the state. After that, Kannada has not looked back!
Settlement in Karnataka is found to be existent at least from 2nd millennium BC as explored in Brahmagiri archaeological site near Chitradurga,central Karnataka. Chandravalli exploration has revealed interaction of Roman and Chinese travellers around 2nd and 3rd century BC.
Kannadigas have built powerful empires and kingdoms with Kannada as the official language. The language was once popular from Kaveri to Godavari as mentioned in Kavirajamarga of 850 CE.[2] Archeological evidences prove Kannada inscriptions found as far north as Madhya Pradesh (Inscription of Krishna III).[3] The great Karnataka Expansion provides insights to various kingdoms of northern India whose originators were from Kannada country.
The major empires and kingdoms, their regal capital and most distinguished kings are
Minor dynasties that have played an important role in the development of Kannada language, culture and polity were, Chutus of Banavasi (feudatory to Satavahana Empire),[4][5] Tuluva Dynasty of Canara,[6] Rattas of Saundatti (Belgaum),[6] Guttas of Guttal (Dharwad region),[7] Banas of Kolar,[8] Nolambas of Nolambavadi,[9][10] Vaidumbas,[11][12] Chengalvas,[6] Kongalvas,[6] Sendrakas of Nagarkhanda (Banavasi province), Yalahanka Nadaprabhu,[13] Sindas of Yelburga (Bijapur-Gulbarga),[7] Kadambas of Hangal.[14]
In addition, other well known kingdoms that patronized Kannadiga poets and Kannada language were,
Other brave warriors include
In addition to those empires that ruled from the Karnataka region, based on inscriptions and literary evidence historians have discussed the possibility that kingdoms of Kannada origin were established in other parts of India as well. The Karnatak Kshatriyas of Bihar, [20][21] the Chalukyas of Gujarat,[22][23] the Chalukyas of Vengi (Eastern Chalukya),[22][24][25] the Seuna Yadavas of Devagiri,[26][27][28][29] the Rashtrakuta family ruling from Berar (modern Amravati district, Maharashtra),[30] the Rashtrakutas branch of Gujarat (Lata branch),[31][32] the Sena Dynasty of Bengal, the Chindaka Nagas of Central India and the Gangas of Kalinga, were all kingdoms created by immigrants from the Karnataka region.[21]
Sculpture has been the epitome of art in Karnataka. Be it the musical pillars of Hampe, the ekashila (monolithic) statue of Bahubali, the Yelu Suttina Kotey of Chitradurga (The Fort of seven lappings) cutting across hill or be it the wholesomeness of carvings of temples which bared down all desires to be left out of it and formless (above all forms) all encompassing - the inner garbhagrihas. The temples of Karnataka had in them many shaili or varieties to credit. Majority of the temples were built using the locally available stones.
Places of interest are
Pioneer sculptors include
Modern day contemporaries include visionary architects
Dasa Sahitya (Kannada: ದಾಸ ಸಾಹಿತ್ಯ) is the literature of bhakti movement composed by devotees in honor of Lord Vishnu or one of his avatars. Dasa is literally servant in Kannada and sahitya is literature. Haridasas ("servants of God") were preachers of bhakti to Lord Vishnu or one of his avatars. The bhakti literature of these Haridasas is collectively referred to as Dasa Sahitya. It is in the Kannada language.
The Haridasas contributed to the rich heritage of Karntataka music. They made an indelible impression on the religious and cultural life of Karnataka. They spread the didactic teachings in a musical form to the hearts of the common man. Like other doyens of Indian classical music, these scholars offered pooja to Vishnu through music, called naadopasana. The Lord is described as Samagana priya; bhakti through music is the most preferred path to 'reach' him.
The Haridasa compositions are popularly known as Devaranamas. Compositions like Venkatachala Nilayam, Jagadoddharana, Tamboori meetidava, Krishna Nee Begane Baaro are some of the many examples of their scholarly work. Some noted composers of Dasa sahitya
One of the oldest forms of music Karnataka Shastreeya Sangeetha which evolved over ages. Purandara Dasa is regarded as Karnataka Sangeetha Pithamaha or the Father of Karnataka Sangeetha. Yakshagana is a unique and indigenous form of music and dance of Karnataka.
Both Hindustani and Karnataka variations are respected and nurtured in Karnataka. Bhavageete and Sugama Sangeetha are some innovations. Other forms of music include Gamaka, Joogera Pada and Lavani
Contemporary musical thespians are
Rangabhoomi or the theatre culture is a tradition with Kannadigas. While lots of the literature or gadya are written in praise of the heroic characters of the epics and puranas there are major works depicting the Kings and their power. These are called Nataka-plays having wide ranging stages for performance like Rangamancha -staged in theatres or Beedhinataka -staged on roads or Bayalata which is one of oldest and performed open-theatre.
Hari-kathe which cover entire night is another form where one (or more) person tells a story in an outstanding manner accompanied by music at background. Its a common feature to narrate battles, stories, devotions, pratha or vratha in front of temples on auspicious days.
Some famous Theatrical, Cinematic, Television personalities like T P Kailasam, Gubbi Veeranna, C.Honappa Bhagavathar, G V Iyer, Rajkumar, V. Shantaram, Puttanna Kanagal, Kalpana, B. S. Ranga, B V Karanth, Girish Kasaravalli, Shankar Nag, T.S. Nagabharana, T N Seetharam have contributed for this richness.
Bengalooru Habba -festival of Bengalooru - a congregation of art performances at different places of the city has been initiated recently and is very successfully celebrated every year.Vasanta Habba - spring festival is a popular one too. In 2006 government of Karnataka tried to bring the folk lore and art into the city blues of Bangalore by initiating Jaanapada Jatre which was hugely successful and received well by art lovers is held on weekends in Lalbagh and other parts of the city.
The heroic, mystic, fierce, spirited reliving of various legends of epics are the major depictions and the theatre of battle scenes of heroism, loyalty and treachery, colour and pageantry are the main subjects. More adapted with the course of nature and seasons adding colour to the harvesting seasons. Jaanapada kale or Common People's art. Some of the folk dances and classical dance forms include
The tribal forms of dance can also be found limitedly in the regions inhabited by Soligas and forests of Kodagu and Western Ghats.
The martial arts more prevalent in parts of North Karnataka with Garadi Mane present in every village and a head to train the youngsters into fit individuals. Kusthi, Malla Yuddha, Kathi Varase (which can be seen depicted in Veeragase and similar to sword fighting), Malla Kambha (gymnastics on a pole structure with/without rope) are some of the prominent arts practised.
The Mysore Odeyars arrange kaalaga or fights like Vajra Mushti during Dasara festival which is made less frightening these days as they are publicly staged. Rock lifting, Bull race, Kusthi, Kabaddi, are popular sports.
Yogasana, Praanayama and health related camps are very popular throughout the state and some of the best Yoga practitioners can be found here. Art of Living is one such organization immensely popular all over the world.
There is no limit for festivals to celebrate. They occur throughout the year presenting the diverse culture and belief of the ethnicity. Festivals have varied reasons to celebrate.
In countryside there will be convenient dana (cattlehood - the most sacred friend of agriculturists) gala jaatre with conglomeration of people with a local demigod worshipped and a ratha or theru moved by the Bhakthas and arranged Daasoha.
North Karnataka has a unique blend of Hindu and Muslim brotherhood with people celebrating festivals in unison and exchanging goodwills thanks to great revolutionary Guru Govinda Bhatta and Shishunala Shareefa who had displayed their religious tolerance and spiritual unity of all religions.
Christmas is celebrated at large in Bengalooru and Mangalooru which host some of the oldest churches and educational institutions of the country.
Buddha, Mahaveera, Shankara, Basava, Gandhi are remembered on their birth anniversaries.
The Cuisine of Karnataka includes many vegetarian and non-vegetarian cuisines. The varieties reflect influences from the food habits of many regions and communities from the three neighbouring South Indian states, as well as the state of Maharashtra to its north. Some typical dishes include Bisi bele bath, Jolada rotti, Chapati, Ragi rotti, Akki rotti, Saaru, Huli, Vangi Bath, Khara Bath, Kesari Bath, Davanagere Benne Dosa, Ragi mudde, and Uppittu. The famous Masala Dosa traces its origin to Udupi cuisine. Plain and Rave Idli, MysoreMasala Dosa and Maddur Vade are popular in South Karnataka. Coorg district is famous for spicy varieties of pork curries while coastal Karnataka boasts of many tasty seafood specialities. Among sweets, Mysore Pak, Dharwad pedha, Chiroti are well known.
Kadabu, (kind of rice dumplings) is a popular and ethnic food in South Malnad such as Sakaleshpura, Mudigere, Somwarapete,which is consumed along with huchellu (black sesame) chutney. Even kadabu different varieties in terms size and ingredients. Starting from a tennis ball size, it is cooked to the size of a ping pong ball. However smallest off all kalu(bean) kadabu which is prepared by pounding raw rice into powder and steamed to make it enough stickier to make little dumplings to the size of a bean (avare kalu). Which is then along with beans given masalae (spicy mixture hot oil, onions, garlic, coconut, jeera, red chillies and lime jusice, salt). This overall procedure will consume a days time so the maneodathi (home maker) starts pounding the rice with the help of a housemaid a day earlier, to prepare this mouthwatering dish which is consumed with hot ghee. And which gets a thumbs-up by all of the housemates by making her happier.
Male costumes mainly include Panchey (often tied as Kachche) or Lungi(wearing/wrapping of which depends on the region) and a shirt. Many use Khadi in their clothing till date of which politicians are prominent ones. After the era of Kingdoms the crowns available mainly were Mysuru Peta and Dharwad Peta. Shawls are also commonplace worn in cooler seasons. Shalya is a piece of long cloth which is put on shoulder commonly seen in countryside. Karnataka also has the only village in India which produces authentic national flags .
Female costumes mainly include Seerey of which Ilakal Seerey and Mysore Silk(Government owned) are famous. Even it has different variations of draping depending on regions like Kodagu, North and South Karnataka and Karavali. Davani with a pony tail is normally followed by youth. Gold is the most popular metal for use in jewellery.
Urban male costumes comprises a trouser, shirt and sandals while that of females include churi dhar and moderate heeled sandals. Jeans are popular among the youths, while new age Khadi/silk printed with art or emblem also find place. Hippie kind of hairstyle, long curly hairs are also seen.
Kasuti is a form of embroidery work which is very popularly sought after art on dress and costumes.
Kannada literature is filled with literary figures and pioneers all through.
Pampa, Ranna and Ponna are considered as three jewels of Halegannada. Janna was another notable poet of this genre.
Basavanna, Akka Mahadevi, Allama Prabhu, Madhvacharya, Vidyaranya, Harihara, Raghavanka, Kumara Vyasa, Sarvajna, Purandara Dasa, Kanaka Dasa, Shishunala Shareefa, Raghavendra Swami etc. were pioneers of Nadugannada. All these have been inviolved with social and cultural movements and hence this was the golden era of literature which brought about a renaissance in Kannada literature . They all had a characteristic naamankita - insignia - which would denote a power equalling a God in popular comparison. The literature saw the Vachana -said, Tattva -thatness, Sharana -saviour (of God), and Dasa -slave (to God) padas (short poetries) - reach the common man's ignorance into great depths leading to Siddhanta- philosophies.
Kuvempu, D. V. Gundappa, Da Ra Bendre, B. M. Srikantaiah, Masti Venkatesha Iyengar, Shivaram Karanth, V K Gokak, U R Ananthamurthy, P. Lankesh, Girish Karnad, G S Shivarudrappa, Gorur Ramaswamy Iyengar, Pu thi Narasimhachar, Chennavira Kanavi, Gopalakrishna Adiga, TaRaSu, A N Krishna Rao, Govinda Pai, S.L. Bhyrappa, Poornachandra Tejaswi, Thriveni, K. S. Nissar Ahmed, K.S. Narasimhaswamy, Chandrashekhara Kambara, Siddhaiah Puranik, G P Rajarathnam, T P Kailasam, Anupama Niranjana, M. K. Indira, Dodda Rangegowda etc. are popular literary figures. This period was amalgamation of literature works which crossed across boundaries under a vast roof encompassed by art and theatre fields. The literature works of Kannada in Navodaya is crowned with 7 Jnanpith awards. Kannada Thantramsha or software is developed under Kuvempu university. There is also a sizeable Open-source community in Bengalooru.
Some of the contemporary active institutions of Kannada literature are
The history site of Bibliotheca Alexandrina bearing kannada script and many Greeko Roman scriptures involving dialogues in hale Kannada in Greek era attest the antiquity.
In India, Mangaluru Samachara was the first Kannada news publication as early as 1843 by German missionary Hermann Mögling.
Some of the greatest serving spiritual leaders include
Some of the distinguished scientists are
Some indigenous technological advances include
Karnataka is one of the few states which even being leading contributor for GDP of the country[35] and home for industries, has preserved its forests and wildlife. The evergreen Sahyadri and Western Ghats are home to protected Wildlife of Karnataka. The Kannadiga culture protects and balances Kaadu and Naadu as can be seen. Although seen scantly still the state enjoys the diversity owing to tribal sects of Soliga, Badaga, Jenu Kuruba, Hakki Pikki, Lambani and other inhabitants of forests. also see Appiko Chaluvali
Some noted environmentalists include
Various types of industries have taken rise from Karnataka. Hotel, Dairy, Banking, Timber, Textile, Silk, Sugar, Aeronautic, Coffee, Tea, Software services, Bamboo(Bidriware), Sandalwood are leading ones. Some prominent leaders include
The Puranas describe the region as Kishkindha in the ages of Ramayana. There are also literary evidences for the region of Mysore called as Mahisha Mandala after demon named Mahishasura. Parashurama and Hanumantha are some epic characters to be cited relating to place.
One of the most prominently popular and acknowledged Jaanapada song is Dharani mandala madhyadolage which narrates an incidence between mother cow and an aggressive tiger in a country called Karnata
Karnataka as now can be viewed as a multi cultural state with almost all the religions that can be found in India can be found here and there has been lot emigration as well due to which multi-ethnic diaspora can be seen . As the Kingdoms provided a safe centres for development of all cultures we can see a huge diversities from region to region. Even the language and dialects varies from place to place. The language has evolved distinctly in both the backyard(folk/basic/prakrutha) and frontyard (refined and related to Samskrutha/Sankrit) of the culture. It can be said that the major works of Sanskrit have originated and continues to evolve here. Shringeri, Udupi are some of nerve centres. One of the leading examples include a village near Shivamogga where people speak only Sanskrit till date. Bengaluru has almost all language speakers of India.
One of the most acknowledged concept is to be a Vishwa Maanava or universal being. In Kuvempu's ideology this has a renowned explanation Every Child is born as a Vishwa Maanava or a Universal Human . It is the we who make him Alpa Maanava or Little Human by putting various constrictions of borders rituals and castes. It hence becomes responsibility of our culture to again make him a Universal Being unbound and free. The Kannadiga culture is known to provide shelter and self respect to people by owning them and their culture. Two Tibetan colonies for refugees from Tibet are formed, one near Mundgod and one near Kushalanagara for protecting them from Chinese atrocities. Karnataka has also sheltered flood victims of North Eastern India like Assam and provided them jobs. One of the easily seen diversity is the surnames which vary from hugely like some may involve names involving a Hindu and Muslim name or having a Hindu Christian name (more found in Mangalore) or even a Muslim Christian name. Hindu is normally considered a misnomer for Sanathana.
Karnataka and parts of Maharashtra are the only two states which have diversity of including both Malenadu Nithyaharidwarna -evergreen ghats and Bayaluseeme which have different ways of living in the same state. Not only this but it acts as a gateway to North and South Indian cultures. It may come as a surprise that Karnataka is next only to Rajasthan in India when it comes to area under arid land but still Southern Karnataka is referred to as Gandhada Gudi - temple of sandalwood found in its protected forests.
After the Odeyar era who already had established democracy by naming elected representative called Saamantha in southern regions as early as 1800s, the 1947 partition brought a centre into being under democracy and Karnataka accepted a bicameral legislature. But this was a functionally a failure as there always has been a tug of war from centre and states to an extent that from 1990s to 2010 there have always been different political parties operating at centre and state. North Karnataka had other problems of getting independence more from Nizams. So there were two different spheres. Lack of will and coordination and constant fights have been hallmark of politics which has prevented a regional party/media from arising in the land. Kerala being a neighbour where hugely successful communist ideology in bringing up literacy levels has also a backing here and a few naxalite outfits do function in Karnataka. Also functional failure of all pillars of democracy even being upper riparian state can be clearly seen in the Kaveri River Water Dispute issue. The failure extended to bureaucracy and Karnataka reached the position of being fourth most corrupt state of India[38] due to political and bureaucratic lobby due to which Lokayukta (see N. Venkatachala) was formed but could not get the required powers to deal with the powerful. In the field of press and journalism P. Lankesh and S. Gurumurthy[39] are some of the noted ones famous for their leftist affiliations.
The Dravidian leader and social reformer Periyar,was a descendant of migrant commanders from the Mysore region. Periyar E. V. Ramasamy single handedly changed the essence of Tamil Nadu and Indian politics to a very great extent.The present Tamil Nadu politics has descended from Periyar and his movement. In one of his speeches,he is quoted as saying "Many people say I am not a Tamilian myself. They are saying this because my mother tongue is Kannada. Many think that I am a Telugu Naidu. I am a Kannadiga of the Balijawar caste."[40]
M. P. Veerendra Kumar, a similar Kannadiga in Kerala is a multi faceted personality having a prominent hand in making Mathrubhumi a leading Malayalam journal, besides being an active politician and a noted new genre Malayalam Litterateur.
The failure in political arena has also reflected in the cultural isolation of emigrants. Some of the unsuccessfully functional bodies include Dehali Kannadiga and AKKA (American Kannada Koota Association) who try being culturally involved.
During the period of British rule, state of Karnataka as it stands today did not exist. Areas that today comprise Karnataka were under as many as 20 different administrative units with the princely state of Mysore, Nizam's Hyderabad, the Bombay Presidency, the Madras Presidency and the territory of Kodagu being the most important ones. In effect, nearly two-thirds of what is now Karnataka fell outside the rule of the Wodeyar kings of Mysore. In addition the proposed state had 6 neighbours Goa, Maharashtra, Andhra Pradesh, Tamil Nadu, Kerala and all had Kannadigas in them.
What this meant for the Kannadigas in these regions was that they were reduced to linguistic minorities wherever they were. Kannadigas in the Hubli-Karnataka region for example, came under the rule of the Bombay Presidency where Marathi was the official language. Those in the Hyderabad-Karnataka region came under the Nizam's rule where Urdu ruled.
It was in this backdrop that the movement that first started as a protest against linguistic oppression, soon morphed into one that began demanding a separate state be created consolidating all Kannada speaking regions. This was essentially a movement that was spearheaded by the poets, journalists and writers and was called the Ekikarana or 'Unification' movement. India gained independence in 1947. The joy of independence soon gave way to disappointment as the new government started dragging its feet on Karnataka Ekikarana movement. Kannada speaking areas now got grouped under five administrative units of the Bombay and Madras provinces, Kodagu, and the princely states of Mysore and Hyderabad. The Akhila Karnataka Ekikarana Parishat met in Kasargod and reiterated the demand for a separate state for Kannadigas. The ratification in parliament of the recommendations of the Fazal Ali Committee brought unbounded joy to the entire Kannadiga population that now was merged under the state of Mysore. Along with all the joy, came the acute disappointment at the non inclusion of certain parts in the Mysore state. The biggest disappointment lay in the non inclusion of Kasargod in the newly formed state. The irony also lay in the fact that Kasargod was one of the bastions from which the Ekikarana movement had launched its agitation. This is an issue that continues to rankle those who fought for the unification of Karnataka. Some like literary giant and nonagenarian Kayyara Kiyyanna Rai who was part of the movement since its earliest days still continues to fight for Kasargod's merger with Karnataka albeit peacefully. Belgaum border dispute is another controversial issue which has led to huge turmoil in border of Karnataka and Maharashtra. On 1 November 1973, under Devaraj Urs as Chief Minister, Mysore state was renamed as Karnataka since it was felt that Karnataka was more 'inclusive' of all the other regions of Karnataka than the name Mysore.
Some of the active Kannada pro organisations include
Some of the contemporary issues for which every Kanndiga is fighting today are Nanjundappa- (Chairman of Committee for Redressal of Regional imbalances) Report [41] is still pending to be implemented. Sarojini Mahishi Report[42] which mandated jobs for Kannadigas in centre was not important for the centre. The much disputed Kaveri River water sharing issue Kaveri River Water Dispute is a grave injustice done from even the Supreme Court which asked to release water from IO report( highly unscientific asking water for 10 years[43] when people are getting scant water in upper riparian state- rightfully thrashed down by Karnataka). Also the Union Government adopted delaying tactics in according the similar classical status to Kannada due to DMK lobby against it. A Tamil scientist also awarded doctorate by Karnataka Open University, Kulandaiswamy known in Tamil Nadu has vowed to make Tamil at the top of every hierarchy engrossing all languages under Dravidian and naming them to have descended from Tamil.[44] shows the hold Tamils have in all the walks of Indian democracy. Due to this backstabbing hostility the old Mysuru region (which borders hostile?? state in a way betrayed by rule of Odeyars by signing treaties and retaining them giving Tamil lobby an upper hand) is the most victimised and has become the most backward in the state( the Chamarajnagar and Gundlupet region)[45] which once held the crown of being princely state due to the backwardness in agriculture and irrigation.
The Kannada ethnic flag is a banner with two horizontal stripes, yellow on top and red on the bottom.[46] The flag although neither officially declared nor represents any legendary empire but something which is accepted in recent times unofficially representing a symbol of welfare as turmeric (ಅರಿಶಿಣ) and kumkum (ಕುಂಕುಮ).
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