Florence Firenze |
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— Comune — | |||
Comune di Firenze | |||
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![]() ![]() Florence
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Coordinates: | |||
Country | Italy | ||
Region | Tuscany | ||
Province | Florence (FI) | ||
Government | |||
- Mayor | Matteo Renzi (Democratic Party) | ||
Area | |||
- Total | 102.41 km2 (39.5 sq mi) | ||
Elevation | 50 m (164 ft) | ||
Population (30 April 2009)[1] | |||
- Total | 368,362 | ||
- Density | 3,596.9/km2 (9,316/sq mi) | ||
Demonym | Fiorentini | ||
Time zone | CET (UTC+1) | ||
- Summer (DST) | CEST (UTC+2) | ||
Postal code | 50121-50145 | ||
Dialing code | 055 | ||
Patron saint | John the Baptist | ||
Saint day | 24 June | ||
Website | Official website |
Historic Centre of Florence* | |
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UNESCO World Heritage Site | |
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State Party | ![]() |
Type | Cultural |
Criteria | i, ii, iii, iv, vi |
Reference | 174 |
Region** | Europe and North America |
Inscription history | |
Inscription | 1982 (6th Session) |
* Name as inscribed on World Heritage List. ** Region as classified by UNESCO. |
Florence (Italian: Firenze listen, pronounced [fiˈrɛntse]; alternative obsolete spelling: Fiorenza, Latin: Florentia) is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with 367,569 inhabitants (1,500,000 in the metropolitan area).[2]
The city lies on the River Arno and is known for its history and its importance in the Middle Ages and in the Renaissance, especially for its art and architecture. A centre of medieval European trade and finance and one of the richest and wealthiest cities of the time,[3] Florence is considered the birthplace of the Italian Renaissance; in fact, it has been called the Athens of the Middle Ages.[4] It was long under the de facto rule of the Medici family. From 1865 to 1870 the city was also the capital of the Kingdom of Italy.
The historic centre of Florence attracts millions of tourists each year and was declared a World Heritage Site by UNESCO in 1982. Florence is widely regarded as one of the most beautiful cities in the world,[5][6] and its artistic,[7] historic and cultural heritage and impact in the world remains vast up to this day. The city has also a major European impact in music, architecture, education, cuisine, fashion, philosophy, science and religion. The historic centre of Florence contains numerous elegant squares (piazzas), Renaissance palaces (palazzi), academies, parks, gardens, churches, monasteries, museums, art galleries and ateliers. The city has also been nominated, according to a 2007 study, as the most desirable destination for tourists in the world.[8]
The city boasts a wide range of collections of art, especially those held in the Pitti Palace and the Uffizi, (which receives about 1.6 million tourists a year).[9] Florence is arguably the last preserved Renaissance city in the world[10] and is regarded by many as the art capital of Italy. It has been the birthplace or chosen home of many notable historical figures, such as Dante, Boccaccio, Leonardo da Vinci, Botticelli, Niccolò Machiavelli, Brunelleschi, Michelangelo, Donatello, Galileo Galilei, Catherine de' Medici, Antonio Meucci, Guccio Gucci, Salvatore Ferragamo, Roberto Cavalli, and Emilio Pucci.
Contents |
Florence has had a long and eventful history, being a Roman city, the birthplace of the Italian Renaissance (or the "Florentine Renaissance"), and being considered, according to the Encyclopædia Britannica as politically, economically, and culturally one of the most important cities in Europe and the world for around 250 years – from the 14th century to the 16th century.[11]
Such was the dominance on artistic and cultural grounds of Florence, that the language spoken there during the 14th century was, and still is, accepted as pan-Italian language. almost all the writers and poets in the Italian literature of the golden age are somewhat connected with Florence, leading ultimately to the adoption of the florentine above all the local dialects, as literary language of choice.[12]
Florentines reinvented money – in the form of the gold florin – which was the engine that drove Europe out of the "Dark Ages" - a term invented by Petrarch, a Florentine. They financed the development of industry all over Europe – from Britain to Bruges, to Lyon, to Hungary. They financed the English kings during the Hundred Years War. They financed the papacy, including the construction of Avignon and the reconstruction of Rome when the papacy returned from the Babylonian Captivity.
Florence was home to the Medici, one of history's most important noble families, who revolutionized high culture and the arts. They taught first the other Italians how to conduct state-craft, and then they taught the rest of the Europeans. Just to cite one example: Catherine de Medici (1519–1589), married Henry II of France (reigned 1547–1559). After he died, Catherine ruled France as regent for her young sons and was instrumental in turning France into Europe's first nation-state. She brought the Renaissance into France, introducing everything from the chateaux of the Loire to the fork. She also was to 16th and 17th century European royalty what Queen Victoria was to the 19th and 20th centuries. Her children included three kings of France, Francis II (ruled 1559–1560), Charles IX (ruled 1560–1574) and Henry III (ruled 1574–1589). Her children-in-law included a fourth king of France, Henry IV (ruled 1589–1610), plus Elizabeth of Habsburg, Philip II of Spain (of Armada fame), and Mary, Queen of Scots.
Florence was originally established by Julius Caesar in 59 BC as a settlement for his veteran soldiers. It was named Florentia ('the flourishing') and built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated at the Via Cassia, the main route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. The Emperor Diocletian is said to have made Florentia the seat of a bishopric around the beginning of the 4th century AD, but this seems impossible in that Diocletian was a notable persecutor of Christians.
In the ensuing two centuries, the city experienced turbulent periods of Ostrogothic rule, during which the city was often troubled by warfare between the Ostrogoths and the Byzantines, which may have caused the population to fall to as few as 1,000 people. Peace returned under Lombard rule in the 6th century. Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to grow again and commerce prospered. In 854, Florence and Fiesole were united in one county.
Margrave Hugo chose Florence as his residency instead of Lucca at about 1000 AD. The Golden Age of Florentine art began around this time. In 1013, construction began on the Basilica di San Miniato al Monte. The exterior of the baptistery was reworked in Romanesque style between 1059 and 1128. This period also saw the eclipse of Florence's formerly powerful rival Pisa (defeated by Genoa in 1284 and subjugated by Florence in 1406), and the exercise of power by the mercantile elite following an anti-aristocratic movement, led by Giano della Bella, that resulted in a set of laws called the Ordinances of Justice (1293).
Of a population estimated at 94,000 before the Black Death of 1348,[13] about 25,000 are said to have been supported by the city's wool industry: in 1345 Florence was the scene of an attempted strike by wool combers (ciompi), who in 1378 rose up in a brief revolt against oligarchic rule in the Revolt of the Ciompi. After their suppression, Florence came under the sway (1382–1434) of the Albizzi family, bitter rivals of the Medici. Cosimo de' Medici was the first Medici family member to essentially control the city from behind the scenes. Although the city was technically a democracy of sorts, his power came from a vast patronage network along with his alliance to the new immigrants, the gente nuova (new people). The fact that the Medici were bankers to the pope also contributed to their ascendancy. Cosimo was succeeded by his son Piero, who was, soon after, succeeded by Cosimo's grandson, Lorenzo in 1469. Lorenzo was a great patron of the arts, commissioning works by Michelangelo, Leonardo da Vinci and Botticelli. Lorenzo was also an accomplished musician and brought some of the most famous composers and singers of the day to Florence, including Alexander Agricola, Johannes Ghiselin, and Heinrich Isaac. By contemporary Florentines (and since), he was known as "Lorenzo the Magnificent" (Lorenzo il Magnifico).
Following the death of Lorenzo de' Medici in 1492, he was succeeded by his son Piero II. When the French king Charles VIII invaded northern Italy, Piero II chose to resist his army. But when he realized the size of the French army at the gates of Pisa, he had to accept the humiliating conditions of the French king. These made the Florentines rebel and they expelled Piero II. With his exile in 1494, the first period of Medici rule ended with the restoration of a republican government.
During this period, the Dominican monk Girolamo Savonarola had become prior of the San Marco monastery in 1490. He was famed for his penitential sermons, lambasting what he viewed as widespread immorality and attachment to material riches. He blamed the exile of the Medicis as the work of God, punishing them for their decadence. He seized the opportunity to carry through political reforms leading to a more democratic rule. But when Savonarola publicly accused Pope Alexander VI of corruption, he was banned from speaking in public. When he broke this ban, he was excommunicated. The Florentines, tired of his extreme teachings, turned against him and arrested him. He was convicted as a heretic and burned at the stake on the Piazza della Signoria on 23 May 1498.
A second individual of unusual insight was Niccolò Machiavelli, whose prescriptions for Florence's regeneration under strong leadership have often been seen as a legitimization of political expediency and even malpractice. Commissioned by the Medici, Machiavelli also wrote the Florentine Histories, the history of the city. Florentines drove out the Medici for a second time and re-established a republic on 16 May 1527. Restored twice with the support of both Emperor and Pope, the Medici in 1537 became hereditary dukes of Florence, and in 1569 Grand Dukes of Tuscany, ruling for two centuries. In all Tuscany, only the Republic of Lucca (later a Duchy) and the Principality of Piombino were independent from Florence.
The extinction of the Medici dynasty and the accession in 1737 of Francis Stephen, duke of Lorraine and husband of Maria Theresa of Austria, led to Tuscany's temporary inclusion in the territories of the Austrian crown. It became a secundogeniture of the Habsburg-Lorraine dynasty, who were deposed for the Bourbon-Parma in 1801, themselves deposed in December 1807 when Tuscany was annexed by France. Florence was the prefecture of the French department of Arno from 1808 to the fall of Napoleon in 1814. The Habsburg-Lorraine dynasty was restored on the throne of Tuscany at the Congress of Vienna but finally deposed in 1859. Tuscany became a province of the United Kingdom of Italy in 1861.
Florence replaced Turin as Italy's capital in 1865 and, in an effort to modernise the city, the old market in the Piazza del Mercato Vecchio and many medieval houses were pulled down and replaced by a more formal street plan with newer houses. The Piazza (first renamed Piazza Vittorio Emmanuele II, then Piazza della Repubblica, the present name) was significantly widened and a large triumphal arch was constructed at the west end. This development was unpopular and was prevented from continuing by the efforts of several British and American people living in the city. A museum recording the destruction stands nearby today. The country's first capital city was superseded by Rome six years later, after the withdrawal of the French troops made its addition to the kingdom possible. A very important role is played in these years by the famous café of Florence Giubbe Rosse from its foundation until the present day. "Non fu giammai così nobil giardino/ come a quel tempo egli è Mercato Vecchio / che l'occhio e il gusto pasce al fiorentino", claimed Antonio Pucci in the 14th century, "Mercato Vecchio nel mondo è alimento./ A ogni altra piazza il prego serra". The area had, however, decayed from its original medieval splendor.
After doubling during the 19th century, Florence's population was to triple in the 20th, resulting from growth in tourism, trade, financial services and industry.
During World War II the city experienced a year-long German occupation (1943–1944) and was declared an open city. The Allied soldiers who died driving the Germans from Tuscany are buried in cemeteries outside the city (Americans about 9 kilometres (6 mi) south of the city, British and Commonwealth soldiers a few kilometres east of the centre on the right bank of the Arno). In 1944, the retreating Germans decided to blow up the bridges along the Arno linking the district of Oltrarno to the rest of the city, thus making it difficult for the British troops to cross. However, at the last moment Charle Steinhauslin, at the time consulate of 26 countries in Florence convinced the German general in Italy that the Ponte Vecchio was not to be blown up, as it was too beautiful. Instead, an equally historic area of streets directly to the south of the bridge, including part of the Corridoio Vasariano, was destroyed using mines. Since then the bridges have been restored exactly to their original forms using as many of the remaining materials as possible, but the buildings surrounding the Ponte Vecchio have been rebuilt in a style combining the old with modern design. Shortly before leaving Florence, as they knew that they would soon have to retreat, the Germans murdered many freedom fighters and political opponents publicly, in streets and squares including the Piazza Santo Spirito.
In November 1966, the Arno flooded parts of the centre, damaging many art treasures. There was no warning from the authorities, who knew the flood was coming, except a phone call to the jewellers on the Ponte Vecchio. Around the city there are tiny placards on the walls noting where the flood waters reached at their highest point.
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Florence lies in a sort of basin among the Senese Clavey Hills, particularly the hills of Careggi, Fiesole, Settignano, Arcetri, Poggio Imperiale and Bellosguardo (Florence). The Arno river and three other minor rivers flow through it.
Florence is usually said to have a Mediterranean climate, although under the Köppen climate classification it may be borderline humid subtropical (Cfa).[14] It has hot, humid summers with little rainfall and cool, damp winters. Due to being surrounded by hills in a river valley, Florence can be hot and humid from June to August. Because of the lack of a prevailing wind, summer temperatures are higher than along the coast. The rain which does fall in summer is convectional. Relief rainfall dominates in the winter, with some snow. The highest officially recorded temperature was 42.6 °C (108.7 °F) in 26 July 1983 and the lowest was −23.2 °C (−9.8 °F) on 12 January 1985.[15]
Climate data for Florence | |||||||||||||
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Month | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec | Year |
Average high °C (°F) | 10.1 (50.2) |
12.0 (53.6) |
15.0 (59) |
18.8 (65.8) |
23.4 (74.1) |
27.3 (81.1) |
31.1 (88) |
30.6 (87.1) |
26.6 (79.9) |
21.1 (70) |
14.9 (58.8) |
10.4 (50.7) |
20.1 (68.2) |
Average low °C (°F) | 1.4 (34.5) |
2.8 (37) |
4.9 (40.8) |
7.7 (45.9) |
11.3 (52.3) |
14.7 (58.5) |
17.2 (63) |
17.0 (62.6) |
14.2 (57.6) |
10.0 (50) |
5.5 (41.9) |
2.4 (36.3) |
9.1 (48.4) |
Precipitation mm (inches) | 73.1 (2.878) |
69.2 (2.724) |
80.1 (3.154) |
77.5 (3.051) |
72.6 (2.858) |
54.7 (2.154) |
39.6 (1.559) |
76.1 (2.996) |
77.5 (3.051) |
87.8 (3.457) |
111.2 (4.378) |
91.3 (3.594) |
910.7 (35.854) |
Avg. precipitation days | 9.4 | 8.4 | 8.6 | 9.1 | 8.6 | 6.3 | 3.5 | 5.9 | 5.7 | 7.4 | 10.0 | 8.8 | 91.7 |
Source: World Meteorological Organisation (United Nations) [16] |
The traditional subdivision of Florence into four quarters dates from the 14th century (that today compose the old town):
The modern administrative subdivision into five wards follows the boundaries of the traditional quarters in the outer areas, as can be seen on the maps:
Subdivision of Florence: The traditional quarters and current wards (Quartiere)
The five current administrative divisions with their neighbourhoods:
Ward (Quartiere) |
Area (km²) |
Population (May 2006) |
Population density |
Neighbourhoods (frazioni) within ward |
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Quartiere 1 Historic Centre |
11.396 | 67,170 | 5,894 | San Jacopino · Il Prato · La Fortezza · Viali · Duomo–Oltrarno · Collina sud · San Gaggio |
Quartiere 2 Campo di Marte |
23.406 | 88,588 | 3,784 | Campo di Marte–Le Cure · Viali · La Rondinella · Settignano · Collina nord · Bellariva–Gavinana |
Quartiere 3 Gavinana/Galluzzo |
22.312 | 40,907 | 1,833 | Collina sud · Galluzzo · San Gaggio · Bellariva–Gavinana · Sorgane · Ponte a Ema |
Quartiere 4 Isolotto/Legnaia |
16.991 | 66,636 | 3,921 | Argingrosso · Cintoia · I Bassi · Il Casone · Isolotto · La Casella · Legnaia · Le Torri · Mantignano · Monticelli · Pignone · San Lorenzo a Greve · Soffiano · San Quirico · Torcicoda · Ugnano |
Quartiere 5 Rifredi |
28.171 | 103,761 | 3,683 | Castello–Le Panche · Piana di Castello · Pistoiese · Brozzi · Peretola · Il Lippi–Barsanti (Florence) · Firenze Nova · Novoli · Parco delle Cascine–Argingrosso · San Jacopino · La Fortezza · Careggi · Leopoldo–Rifredi · Collina nord · Viali |
Florence | 102.276 | 367,062 | 3,589 |
Florence is known as the "cradle of the Renaissance" (la culla del Rinascimento) for its monuments, churches and buildings. The best-known site and crowning architectural jewel of Florence is the domed cathedral of the city, Santa Maria del Fiore, known as The Duomo. The magnificent dome was built by Filippo Brunelleschi. The nearby Campanile (partly designed by Giotto) and the Baptistery buildings are also highlights. Both the dome itself and the campanile are open to tourists and offer excellent views; The dome, 600 years after its completion, is still the largest dome built in brick and mortar in the world.[17]
In 1982, the historic centre of Florence (Italian: centro storico di Firenze) was declared a World Heritage Site by the UNESCO for the importance of its cultural heritages. The centre of the city is contained in medieval walls that were built in the 14th century to defend the city after it became famous and important for its economic growth.
At the heart of the city, in Piazza della Signoria, is Bartolomeo Ammanati's Fountain of Neptune (1563–1565), which is a masterpiece of marble sculpture at the terminus of a still- functioning Roman aqueduct.
The River Arno, which cuts through the old part of the city, is as much a character in Florentine history as many of the people who lived there. Historically, the locals have had a love-hate relationship with the Arno — which alternated between nourishing the city with commerce, and destroying it by flood.
One of the bridges in particular stands out as being unique — The Ponte Vecchio (Old Bridge), whose most striking feature is the multitude of shops built upon its edges, held up by stilts. The bridge also carries Vasari's elevated corridor linking the Uffizi to the Medici residence (Palazzo Pitti). Although the original bridge was constructed by the Etruscans, the current bridge was rebuilt in the 14th century. It is the only bridge in the city to have survived World War II intact. His most notable claim to fame is the fact that it is the first example in the western world of a bridge built using segmental arches, that is, arches less than a semicircle, to reduce both span-to-rise ratio and the numbers of pillars to allow lesser encumbrance in the riverbed (being in this much more successful than the roman Alconétar Bridge)
The church of San Lorenzo contains the Medici Chapel, the mausoleum of the Medici family – the most powerful family in Florence from the 15th to the 18th century. Nearby is the Uffizi Gallery, one of the finest art museums in the world – founded on a large bequest from the last member of the Medici family.
The Uffizi itself is located at the corner of Piazza della Signoria, a site important for being the centre of Florence's civil life and government for centuries. (Signoria Palace is still home of the community government.) The Loggia dei Lanzi provided the setting for all the public ceremonies of the republican government. Many significant episodes in the history of art and political changes were staged here, such as:
The Piazza della Signoria is the location of a number of statues by other sculptors such as Donatello, Giambologna, Ammannati and Cellini, although some have been replaced with copies to preserve the priceless originals.
In addition to the Uffizi, Florence has other world-class museums. The Bargello concentrates on sculpture, containing many priceless works by sculptors including Donatello, Giambologna and Michelangelo. The Accademia dell'Arte del Disegno (often simply called the Accademia) collection's highlights are Michelangelo's David and his unfinished Slaves.
Across the Arno is the huge Palazzo Pitti, containing part of the Medici family's former private collection. In addition to the Medici collection, the palace's galleries contain many Renaissance works, including several by Raphael and Titian, large collections of costumes, ceremonial carriages, siver, porcelain and a gallery of modern art dating from the 18th century. Adjoining the palace are the Boboli Gardens, elaborately landscaped and with many interesting sculptures.
The Santa Croce basilica, originally a Franciscan foundation, contains the monumental tombs of Galileo, Michelangelo, Machiavelli, Dante (actually a cenotaph), and many other notables.
Other important basilicas and churches in Florence include Santa Maria Novella, San Lorenzo, Santo Spirito and the Orsanmichele, and the Tempio Maggiore Great Synagogue of Florence.
Proclaimed as the "art capital of Italy", Florence has immense artistic and cultural richness and contains numerous museums and art galleries where some of the world's most important works of art are held. The city is one of the best preserved Renaissance centres of art and architecture in the world and has a high concentration of art, architecture and culture.[10]
This museum contains many of the original works of art and sculpture from the Florence Cathedral, including important works by Michelangelo, Donatello, Lorenzo Ghiberti, Luca and Andrea della Robbia, and others.
Surrounding Florence, there are numerous villas, especially built by the Medicis. There are also a fair number of parks and gardens in Florence.
Le Balze is a garden villa in Fiesole, Tuscany, central Italy, very close to Florence. The villa is owned by Georgetown University and hosts year round study abroad students. Planned in 1911 by Cecil Pinsent for American Charles Augustus Strong, it was built in a tight space along the Tuscan hills overlooking the city of Florence. "Balze" is Italian for cliffs, referring to this situation.
The Forte di Belvedere or Fortezza di Santa Maria in San Giorgio del Belvedere (often called simply Belvedere) is a fortification in Florence, Italy. It was built by Grand Duke Ferdinando I de' Medici during the period 1590–1595, with Bernardo Buontalenti as the designer, to protect the city and its rule by the Medici family. In particular, it was used to hold the Medici treasury. On the same side of the river as the Grand Ducal palace, the Pitti Palace in the Oltrarno district of the city, today the grounds provide spectacular outlooks over Florence; the buildings are used to hold works of art, and as a venue for exhibitions of contemporary sculpture.
The Villa Medici at Carreggi was a patrician Florentine house. The villa was among the first[39] of a number of Medici villas, notable as the site of the Platonic academy founded by Cosimo de' Medici, who died at the villa in 1464. Like most villas of Florentine families, the villa remained a working farm that helped render the family self-sufficient. Cosimo's architect there, as elsewhere, was Michelozzo, who remodelled the fortified villa which had something of the character of a castello. Its famous garden is walled about, like a medieval garden, overlooked by the upper-storey loggias, with which Michelozzo cautiously opened up the villa's structure. Michelozzo's Villa Medici in Fiesole has a more outward-looking, Renaissance character.
The Villa di Castello is one of the Medici villas in Florence, Tuscany, central Italy. Niccolò Tribolo was one of the architects involved in its construction.
The Villa Medici is a patrician villa in Fiesole, Tuscany, Italy, the fourth oldest of the villas built by the Medici family. It was built between 1451 and 1457.
The Villa La Petraia is one of the Medici villas in the city, built in a Renaissance style.
The Villa Palmieri, is a patrician villa in the picturesque town of Fiesole that overlooks Florence. The villa's gardens on slopes below the piazza S. Domenico of Fiesole are credited with being the paradisal setting for the frame story of Boccaccio's Decamerone. The villa's entrance from the town is in via Giovanni Boccaccio. The villa was certainly in existence at the end of the 14th century, when it was a possession of the Fini, who sold it in 1454 to the noted humanist scholar Marco Palmieri, whose name it still bears. In 1697, Palmiero Palmieri commenced a restructuring of the gardens, sweeping away all vestiges of the earlier garden to create a south-facing terrace, an arcaded loggia of five bays and the symmetrically paired curved stairs (a tenaglia) that lead to the lemon garden in the lower level. The often-photographed lemon garden survives,[40] though postwar renovation stripped the baroque decors from the villa's stuccoed façade.[41]
Villa del Poggio Imperiale (English: Villa of the Imperial Hill) is a predominantly neoclassical former grand ducal Villa to the south of Florence in Tuscany, central Italy. From obscure beginnings, it became in succession a seized possession of the Medici, the home of a homicidal and unfaithful husband, and a lavish retreat for a Grand Duchess with imperial pretensions. Later given to Napoleon's sister, it was reclaimed by the hereditary rulers of Tuscany before being finally converted to a prestigious girls' school. During its long history, it has often been at the centre of Italy's turbulent history, and has been rebuilt and redesigned many times.
The Villa Salviatino, Maiano, in the frazione of Maiano on the steep slope south of Fiesole, is a Tuscan villa overlooking Florence. A modest farmhouse in the 14th century, set among informally terraced slopes planted with vines and olives, the house in its vigna was purchased in 1427 by the Bardi family, bankers of Florence, who rebuilt it in such palatial fashion that when it was subsequently sold to Nicola Tegliacci in 1447, the new owner named it Palagio (palazzo) dei Tegliacci.[42] In the 16th century it passed to Alamanno Salviati, who had it sumptuously frescoed and furnished; thus it gained its name as the Villa Il Salviatino, to distinguish it from the grander Villa Salviati "le Selve", near Lastra, to the west.[43] The villa was celebrated by Francesco Redi, in his Bacco in Toscana (1685): "viva il nome Del buon Salviati, ed il suo bel Maiano.
The Torre del Gallo is located in Florence at Pian de 'Giullari, in the hills of Arcetri, on top of a ridge overlooking the city where there is a magnificent panorama. The villa, which is dominated by the tall tower, has a large hall with an octagonal vaulting, and an entry with graffiti, perhaps from the Renaissance. The court attributed to Brunelleschi is surrounded by Corinthian columns and arches on three sides, while the second neo-gothic courtyard is decorated with many coats of arms belonging to the owners of the villa and ones Bardini added.
The Villa di Quarto is a villa on via di Quarto in Florence, in the hilly zone at the foot of the Monte Morello. Quarto (fourth) is one of the toponyms relating to the Roman milestones, the most famous of which in this area is Sesto Fiorentino, of 45,000 inhabitants. The villa was built in the 15th century and, after various changes of ownership, in 1613 it passed to the Pasquali family, who had it rebuilt by Alfonso Parigi, designer of the Boboli extension. In the 19th century the villa took on its present appearance – it then belonged to Jérôme Bonaparte, former king of Westphalia, who left it to his daughter Mathilde Bonaparte, wife of the Russian nobleman and industrialist Anatole Demidov. It then changed hands again a few more times before being acquired in 1908 by baron Ritter de Zahony, who totally restored it. The villa's guests included the French historian and statistician Adolphe Thiers and the American writer Mark Twain – Twain's wife died here.
Villa Feri is a villa in Florence located at the corner of Via del Podestà and Via Martellini. It is known as "gentleman's villa" (villa da seniore) already in the 15th century. First known documents about this villa are dated back to 1472, when Agostino di Lotto Tanini and Agnolo di Zanobi Da Diacceto sold it to Bernardo d'Antonio degli Alberti. In 1481 becam property of the brothers Agnolo and Benedetto Bartolommei, then, at the beginiing of the 16th century, was acquired by Raffaello and Miniato Miniati. It was then property of Bartolini-Salimbeni, that modified the structure of the main building, of the Vinci family and, more lately, of the Boni family. In 1863 was finally acquired by the Feri family, which eventually gave the actual naming (the Feri family Coat of Arms is still visible on top of the main gate).
The Villa Rusciano is an historic villa in the neighbourhood of Florence which includes work by Brunelleschi. The villa is located at 37, Via Benedetto Fortini, Firenze. Set in a hilly area on the outskirts of Florence, the Villa has one of the most magnificent views over the city. The name is derived from the area, once a prominent agricultural estate. The villa is very old, cited by Franco Sacchetti in Trecentonovelle, and once belonged to the Salviati (bankers).
The Villa San Michele Hotel, situated on the hill of Fiesole overlooking Florence, Italy, is named after the church of St Michael the Archangel. Today it is owned by Orient-Express Hotels and operated as a luxury hotel.
There are numerous important historical and modern theatres in Florence. The main ones are:
Historical populations | ||
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Year | Pop. | %± |
1861 | 150,864 | — |
1871 | 201,138 | 33.3% |
1881 | 196,072 | −2.5% |
1901 | 236,635 | 20.7% |
1911 | 258,056 | 9.1% |
1921 | 280,133 | 8.6% |
1931 | 304,160 | 8.6% |
1936 | 321,176 | 5.6% |
1951 | 374,625 | 16.6% |
1961 | 436,516 | 16.5% |
1971 | 457,803 | 4.9% |
1981 | 448,331 | −2.1% |
1991 | 403,294 | −10.0% |
2001 | 356,118 | −11.7% |
2008 | 367,569 | 3.2% |
Source: ISTAT 2001 |
The population of the city proper is 365,744 (30 November 2008), while Eurostat estimates that 696,767 people live in the urban area of Florence. The Metropolitan Area of Florence, Prato and Pistoia, constituted in 2000 over an area of roughly 4,800 square kilometres, is home to 1.5 million people. Within Florence proper, 46.8% of the population was male in 2007 and 53.2% were female. Minors (children aged 18 and less) totalled 14.10 percent of the population compared to pensioners, who numbered 25.95 percent. This compares with the Italian average of 18.06 percent (minors) and 19.94 percent (pensioners). The average age of Florence resident is 49 compared to the Italian average of 42. In the five years between 2002 and 2007, the population of Florence grew by 3.22 percent, while Italy as a whole grew by 3.56 percent.[49] The current birth rate of Florence is 7.66 births per 1,000 inhabitants compared to the Italian average of 9.45 births.
As of 2006, 90.45% of the population was Italian. An estimated 60,000 Chinese live in the city.[50] The largest immigrant group came from other |European countries (mostly from Albania and Romania): 3.52%, East Asia (mostly Chinese and Filipino): 2.17%, the Americas: 1.41%, and North Africa (mostly Moroccan): 0.9%.[51]
Tourism is, by far, the most important of all industries and most of the Florentine economy relies on the money generated by international arrivals and students (especially Americans) studying in the city.[52] Manufacturing and commerce, however, still remain highly important. Florence is also Italy's 17th richest city in terms of average workers' earnings, with the figure being €23,265 (the overall city's income is that of €6,531,204,473), coming after Mantua, yet surpassing Bolzano.[53]
Florence is a major production and commercial centre in Italy, where the Florentine industrial complexes in the suburbs produce all sorts of goods, from furntiture, rubber goods, chemicals, and food.[52] However, traditional and local products, such as antiques, handicrafts, glasswear, leatherwork, art reproductions, jewelry, souvenirs, elaborate metal and iron-work, shoes, accessories and high fashion clothes also dominate a fair sector of Florence's economy.[52] The city's income relies partially on services and commercial and cultural interests, such as annual fairs, theatrical and lyrical productions, art exhibitions, festivals and fashion shows, such as the Calcio Fiorentino. Heavy industry and machinery also take their part in provinding an income. In Nuovo Pignone, numerous factories are still present, and small-to medium industrial businesses are dominant. As a matter of fact, the Florence-Prato-Pistoia industrial districts and areas were known as the 'Third Italy' in the 1990s, due to the exports of high-quality goods and automobile (especially the Vespa) and the prosperity and productivity of the Florentine entrepreneurs. Some of these industries even rivalled the traditional industrial districts in Emilia-Romagna and Veneto due to high profits and productivity.[52]
Tourism is the most significant industry in central Florence. From April to October, tourists outnumber local population. Tickets to the Uffizi and Accademia museums are regularly sold out and large groups regularly fill the basilicas of Santa Croce and Santa Maria Novella, both of which charge for entry. In 2007, readers of Travel + Leisure magazine for the third time ranked the city as their favourite tourist destination, followed in order by Bangkok, Buenos Aires, Rome, Sydney and New York City.[8] Studies by Euromonitor International have concluded that cultural and history-oriented tourism is generating significantly increased spending throughout Europe.[56]
Florence is believed to have the greatest concentration of art (in proportion to its size) in the world.[57] Thus, cultural tourism is particularly strong, with world-renowned museums such as the Uffizi selling over 1.6 million tickets[9] a year. The city's convention centre facilities were restructured during the 1990s and host exhibitions, conferences, meetings, social forums, concerts and other events all year.
Florence has approximately 35,000 hotel beds and 23,000 other accommodation facilities (campsites, guesthouses, youth hostels and farmhouses), giving potential for overall stays to exceed 10 million visitor/nights a year. Visitors also include thousands of day-trippers brought in by cruise ships (to Livorno) and by road and rail. In 2007, the city ranked as the world's 59th most visited city, with over 1.729 million arrivals for the year.[58] It has been estimated that just under one third of tourists are Italians, the remainder comprising Americans (20%), Germans (13%), Japanese (8%), Britons (7.8%), French (5.7%) and Spaniards (5%).
Food and wine have long been an important staple of the economy. Florence is the most important city in Tuscany, one of the great wine-growing regions in the world. The Chianti region is just south of the city, and its Sangiovese grapes figure prominently not only in its Chianti Classico wines but also in many of the more recently developed Supertuscan blends. Within twenty miles (32 km) to the west is the Carmignano area, also home to flavorful sangiovese-based reds. The celebrated Chianti Rufina district, geographically and historically separated from the main Chianti region, is also few miles east of Florence. More recently, the Bolgheri region (about 100 miles / 200 kilometres southwest of Florence) has become celebrated for its "Super Tuscan" reds such as Sassicaia and Ornellaia.[59]
Florence has a legendary artistic heritage. Cimabue and Giotto, the fathers of Italian painting, lived in Florence as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.[60][61]
Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages",[62] the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis, Buonarroti' s house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones.[63]
Great monuments are the landmarks of Florentine artistic culture: the Florence Baptistery with its mosaics; the Cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archeological museum includes documents of Etruscan civilization.[64] In fact the city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.[65]
The Florentines – perhaps most notably Filippo Brunelleschi (1377–1466) and Leon Batist'Alberti (1404–1472) – invented both Renaissance and Neoclassical architecture,[66] which revolutionized the way Rome, London and Paris and every other major city in Europe – from Barcelona to St. Petersburg – were built. The cathedral – one of the largest churches, topped by Brunelleschi's dome, dominates the Florentine skyline. The Florentines decided to start building it – late in the 13th century – knowing they did not know how they were going to do it. It was "technology forcing" – like the Kennedy Administration's decision to put a man on the moon. The dome was the largest ever built at the time, and the first major dome built in Europe since the two great domes of Roman times – the Pantheon in Rome, and Hagia Sophia in Constantinople. As a matter of fact, as mentioned in sections above, the Santa Maria del Fiore dome remains the largest brick dome of its kind in the world.[67][68] In front of it is the medieval gem of the Baptistery, where every Florentine was baptized until modern times. The two buildings incorporate in their decoration the transition from the Middle Ages to the Renaissance. In recent years, most of the important works of art from the two buildings – and from the wonderful Bell Tower, designed by Giotto, have been removed and replaced by copies. The originals are now housed in the spectacular Museum of the Works of the Duomo, just to the east of the Cathedral.
Florence has large numbers of art-filled churches,[11] such as San Miniato al Monte, San Lorenzo, Santa Maria Novella, Santa Trinita, the Brancacci Chapel at Santa Maria della Carmine, Santa Croce, Santo Spirito, SS Annunziata, Ognissanti and many more.
And that is without mentioning any "artists". From Arnolfo and Cimabue to Giotto, Nanni di Banco, and Uccello; through Lorenzo Ghiberti, and Donatello and Massaccio and the various della Robbias; through Fra Angelico and Botticelli and Piero della Francesca, and on to Michelangelo and Leonardo da Vinci, the Florentines have dominated the visual arts in a great way. And this list does not include many who, in any other place would be considered among the greatest of artists, but in Florence must be considered among the near-great: Benvenuto Cellini, Andrea del Sarto, Benozzo Gozzoli, Domenico Ghirlandaio, Fra Lippo Lippi, Buontalenti, Orcagna, Pollaiuolo, Filippino Lippi, Verrocchio, Bronzino, Desiderio da Settignano, Michelozzo, the Rossellis, the Sangallos, Pontormo, just to name a few. And this list does not include the prolific Ignoto. Nor does it include the near-Florentines, such as Raphael, Andrea Pisano, Giambologna, the wonderfully nicknamed Sodoma and so many more, such as Peter-Paul Rubens — all of whom spent time in Florence and were nurtured by it.
Then there are the art galleries. The Uffizi and the Pitti Palace are two of the most famous picture galleries in the world.[69] But the heart and soul of Florence are in the two superb collections of sculpture, the Bargello and the Museum of the Works of the Duomo. They are filled with the brilliant, revolutionary creations of Donatello, Verrochio, Desiderio da Settignano, Michelangelo and so many other masterpieces that create a body of work unique in the world. And, of course, there is the Accademia, with Michelangelo's David – perhaps the most well-known work of art anywhere, plus the moving unfinished statues of the slaves Michelangelo created for the tomb of Pope Julius II.
In all, Florence has a great and numerous amount of museums.[70][71] Among those at the top of most lists – other than those above – are: the impressive medieval city hall, the Palazzo della Signoria (a.k.a Palazzo Vecchio), a wonderful building with magnificent rooms and some great art; the Archeological Museum, the Museum of the History of Science, the Palazzo Davanzatti, the Stibbert Museum, St. Marks, the Medici Chapels, the Museum of the Works of Santa Croce, the Museum of the Cloister of Santa Maria Novella, the Zoological Museum ("La Specola"), the Bardini, and the Museo Horne. There is also a wonderful collection of works by the modern sculptor, Marino Marini, in a museum named after him. If photography is your interest, you should not miss the superb collection of works by the early photographers, the Alinari brothers. The magnificent Strozzi Palace is also the site of many special exhibits.[72]
Florentine (fiorentino), spoken by inhabitants of Florence and its environs, is a Tuscan dialect and an immediate parent language to modern Italian. (Many linguists and scholars of Dante, Boccaccio, and Petrarch consider standard Italian to be, in fact, modern Florentine.)
Its vocabulary and pronunciation are largely identical to standard Italian, though the hard c [k] between two vowels (as in ducato) is pronounced as a fricative [h], similar to an English h. This gives Florentines a distinctive and highly recognizable accent (the so-called gorgia toscana). Other traits include using a form of the subjunctive mood last commonly used in medieval times, a frequent usage in everyday speech of the modern subjunctive, and a shortened pronunciation of the definite article, [i] instead of "il".
Dante, Petrarch, and Boccaccio pioneered the use of the vernacular[73] – the use of a language other than Latin, in their case, Tuscan, which, because of them, became Italian. Because Dante, et al., wrote in Tuscan, Geoffrey Chaucer – who spent a lot of time in Northern Italy and who stole Boccaccio's little stories – wrote in English. And others started writing in French and Spanish and so on. This was the beginning of the end of Latin as a common language throughout Europe.
Home to some of the greatest literary figures in history, Florence sports a long and eventful history regarding this subject. Despite Latin being the main language of the courts and the Church, writers such as Dante Alighieri, (born in 1265, died 1321),[73] and many more, as mentioned above, used their own language, the Florentine dialect, in composing their works. The oldest literary pieces written in vernacular language go as far back as the 13th century. Florence's literature fully blossomed in the 14th century, when not only Dante with is Divine Comedy (1306–1321) and Petrarch, but also poets such as Guido Cavalcanti and Lapo Gianni, to name but a few, composed their most important works.[73] Dante's masterpiece the Divine Comedy mainly deals with the poet himself taking a tour of Hell, Purgatory and finally Heaven. He is first guided by the Roman poet Virgil, whose non-Christian beliefs damned him to Hell. Later on he's joined by Beatrice who guides him through Heaven.[73]
Francesco Petrarca (Petrarch) was born in 1304, and died in 1374.[74] Giovanni Boccaccio,[74] was born in 1313 and died in 1375.[73] They led the literary scene in Florence after Dante's death in 1321. Petrarch was an all-rounder writer, author and poet, but was particularly known for his book the Canzoniere, or the Book of Songs, where he conveyed his unremitting love for Laura.[74] His style of writing has since become known as Petrarchism.[74] Giovanni Boccaccio was better known for his classic the Decameron, a slightly grim story of Florence during the 1350s bubonic plague, known as the Black Death, when some people fled the ravaged city to an isolated country mansion, and spent their time there recounting stories about themselves. All of this is written in a series of 100 distinct novellas.[74]
In the 16th century, during the Renaissance, Florence was the hometown of political writer and philosopher Nicolò Machiavelli, whose ideas on how rulers should govern the land, detailed in The Prince, spread across European courts and enjoyed enduring popularity for centuries. These principles became known as Machiavellianism.
Florence became a significant musical centre during the Middle Ages and music and the performing arts remain an important part of its culture. During the Renaissance there were four kinds of musical patronage in the city with respect to both sacred and secular music: state, corporate, church, and private.[75] and it was here that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further development of the operatic form, but for later developments of separate "classical" forms such as the symphony.
Opera was invented in Florence in the late 16th century.[76]
Composers and musicians who have lived in Florence include Piero Strozzi (1550 – after 1608), Giulio Caccini (1551–1618) and Mike Francis (1961–2009).
Florence has been a setting for numerous works of fiction and movies, including the novels and associated films, such as Calmi Cuori Appassionati, Hannibal, A Room with a View, Tea with Mussolini and Virgin Territory. The city is also home to numerous renowned Italian actors and actresses, such as Roberto Benigni, Leonardo Pieraccioni and Vittoria Puccini.
Florentine food grows out of a tradition of peasant eating rather than rarefied high cooking. The vast majority of dishes are based on meat. The whole animal was traditionally eaten; various kinds of tripe, (trippa) and (lampredotto) were once regularly on the menu and still are sold at the remaining food carts stationed throughout the city. Antipasti include crostini toscani, sliced bread rounds topped with a chicken liver-based pâté, and sliced meats (mainly prosciutto and salami, often served with melon when in season). The typically saltless Tuscan bread, obtained with natural levain frequently features in Florentine courses, especially in its famous soups, ribollita and pappa al pomodoro, or in the salad of bread and fresh vegetables called panzanella that is served in summer. The most famous main course is the bistecca alla fiorentina, a large (the customary size should weigh around 1200 grams – "40 oz.") – the "date" steak – T-bone steak of Chianina beef cooked over hot charcoal and served very rare with its more recently derived version, the tagliata, sliced rare beef served on a bed of arugula, often with slices of Parmesan cheese on top. Most of these courses are generally served with local olive oil, also a prime product enjoying a worldwide reputation.[77]
Many research institutes and University Departments are located within the Florence area and within two campus recently developed at Polo di Novoli and Polo Scientifico di Sesto Fiorentino[78] as well as in the Research Area of Consiglio Nazionale delle Ricerche.[79]
Florence has been an important scientific centre for centuries, notably during the Renaissance, where there was a great period of discovery and innovation, with scientists such as Leonardo da Vinci.
Florentines were one of the driving forces behind the Age of Discovery. Florentine bankers financed Henry the Navigator and the Portuguese explorers who pioneered the route around Africa to India and the Far East. It was a map drawn by the Florentine Paulo del Pozzo Toscanelli, a student of Brunelleschi, that Columbus used to sell his "enterprise" to the Spanish monarchs, and which he used on his first voyage. Mercator's famous "Projection" is a refined version of Toscanelli's – taking into account the Americas, of which the Florentine was, obviously, ignorant. The western hemisphere, itself, is named after a Florentine explorer and mapmaker, Amerigo Vespucci.
Gallileo and other scientists pioneered the study of optics, ballistics, astronomy, anatomy, and so on. Pico della Mirandola, Leonardo Bruni, Machiavelli, and many others laid the groundwork for our understanding of political science.
Florence being historically the first home of Italian fashion (the 1951–1953 soirées held by Giovanni Battista Giorgini are generally regarded as the birth of the Italian school[80] as opposed to French haute couture) is also home to the legendary Italian fashion establishment Salvatore Ferragamo, notable as one of the oldest and most famous Italian fashion houses. Many others, most of them now located in Milan, were founded in Florence. Gucci, Prada, Roberto Cavalli, and Chanel have large offices and stores in Florence or its outskirts. Florence's main upscale shopping street is Via de' Tornabuoni, where major luxury fashion houses and jewelry labels, such as Armani, Ferragamo and Bulgari, have their elegant boutiques.
There are also a few places to buy things, from the high-end jewelry stores lining the Ponte Vecchio to some of the most famous shops in the world – Gucci, Pucci, Ferragamo, Valentino, Prada, Armani, Ermenegildo Zegna, Buccellati, Frette, etc., as well as several less-well known or more recent minor fashion boutiques. It is increasingly difficult to find bargains, but keen-eyed shoppers can still find good deals on smaller, side streets running off of those above and elsewhere in the center of town. The San Lorenzo market is now largely for tourists. There are also a couple of collections of "outlets" in the suburbs. Great places to walk include along the Arno and across any of its bridges, through narrow, medieval back streets in the Santa Croce area and in the Oltr'Arno – on the south side of the river, in many ways like Rome's Trastevere or Paris's Left Bank – but far, far smaller. There are also superb shopping streets, such as the Via Tornabuoni, the Via del Parione, and the Via Maggio.
The Scoppio del Carro ("Explosion of the Cart") is a celebration of the First Crusade. During the day of Easter, a cart, which the Florentines call the Brindellone and which is led by four white oxen, is taken to the Piazza del Duomo between the Baptistery of St. John the Baptist (Battistero di San Giovanni) and the Florence Cathedral (Santa Maria del Fiore). The cart is connected by a rope to the interior of the church. Near the cart there is a model of a dove which, according to legend, is a symbol of good luck for the city: at the end of the Easter mass, the dove emerges from the nave of the Duomo and ignites the fireworks on the cart.
Calcio Storico Fiorentino ("Historic Florentine Football"), sometimes called Calcio in costume, is a traditional sport, regarded as a forerunner of soccer, though the actual gameplay most closely resembles rugby. The event originates from the Middle Ages, when the most important Florentine nobles amused themselves playing while wearing magnificent costumes. The most important match was played on 17 February 1530, during the siege of Florence. That day Papal troops besiged the city while the Florentines, with contempt of the enemies, decided to play the game notwithstanding the situation. The game is played in the Piazza di Santa Croce. A temporary arena is constructed, with bleachers and a sand-covered playing field. A series of matches are held between four teams representing each quartiere (quarter) of Florence during late June and early July.[81] There are four teams: Azzurri (light blue), Bianchi (white), Rossi (red) and Verdi (green). The Azzurri are from the quarter of Santa Croce, Bianchi from the quarter of Santo Spirito, Verdi are from San Giovanni and Rossi from Santa Maria Novella.
The four counts and four countesses of Florence have a large but hidden tradition dating back to the early 20th century when a favoured Tuscan family left the city to Malta and the youngest daughter of the family was declared Contessa Morabitto di Florenze Countess Morabitto of Florence. To the present date there are eight members of the countship, six living in Malta, one in England and one living in Italy.
The principal public transport network within the city is run by the ATAF and Li-nea bus company, with tickets available at local tobacconists, bars and newspaper stalls. Individual tickets or a pass called the Carta Agile with multiple rides (10 or 21) may be used on buses. Once on the bus, tickets must be stamped (or swiped for the Carta Agile) using the machines on board unlike the train tickets which must be validated before boarding. The main bus station is next to Santa Maria Novella railway station. Trenitalia runs trains between the railway stations within the city, and to other destinations around Italy and Europe. The central railway station, Santa Maria Novella railway station, is located about 500 metres (1,600 ft) northwest of the Piazza del Duomo. There are two other important stations: Campo Di Marte and Rifredi. Most bundled routes are Firenze-Pisa, Firenze-Viareggio and Firenze-Arezzo (along the main line to Rome). Other local railways connect Florence with Borgo San Lorenzo and Siena.
Long distance buses are run by the SITA, Copit, CAP and Lazzi companies. The transit companies also accommodate travellers from the Amerigo Vespucci Airport, which is five kilometres (3.1 mi) west of the city centre, and which has scheduled services run by major European carriers such as Air France and Lufthansa.
The centre of the city is closed to through-traffic, although buses, taxis and residents with appropriate permits are allowed in. This area is commonly referred to the ZTL (Zona Traffico Limitato), which is divided into five subsections. Residents of one section, therefore, will only be able to drive in their district and perhaps some surrounding ones. Cars without permits are allowed to enter after 7.30pm, or before 7.30am in the morning. The rules shift somewhat unpredictably during the tourist-filled summers, putting more restrictions on where one can get in and out.
Due to the high level of air pollution and traffic in the city, an urban tram network called the TramVia is currently under construction in the city.[82] The first line runs from Scandicci to the southwest through the western side of the city, cross the River Arno at the Cascine Park and arrive to the main railway station of Santa Maria Novella. Two other lines are in the final design phase.
Florence's Peretola Airport is one of two main airports in the Tuscany region, the other being Galileo Galilei International Airport in Pisa.
Florence is represented by ACF Fiorentina, who plays in Serie A, the top league of Italian football. They play their games at the Stadio Artemio Franchi. The city is also home of Coverciano, the main training ground of the Italian national team, and the technical department of the Italian Football Federation.
The current Mayor of Florence is Matteo Renzi (Democratic Party, elected in June 2009).[84]
Florence is twinned with:
As of this edit, this article uses content from "Florence", which is licensed in a way that permits reuse under the Creative Commons Attribution-ShareAlike 3.0 Unported License, but not under the GFDL. All relevant terms must be followed.
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